We Own This Town Wrapup 2020

Not that anyone needs the slightest reminding but 2020 was a wretched year. We won’t bore you with the litany of specifics but a heartbreakingly devastating tornado followed by a novel coronavirus and all of the financial implications that threatened our favorite venues, restaurants, bars, publications and even record labels was unbelievably depressing. That doesn’t even begin to touch on the emotional weight of losing so many members of the community as well but, like I said, I won’t bore you with the specifics. You know all this. You’re living through it.

It’s hard to celebrate wins in an environment where so much of what you adore is struggling. There’s no silver lining to the situation but it is heartening to know that our community came together with massive efforts to help with the tornado cleanup, banded together to help support organizations like The Scene and Cold Lunch Recordings to continue to see the other side and favored spots like DRKMTTR and The 5 Spot pivoted into Nashville Free Store and live performance studios, respectively. For all of the woes it brought, 2020 did manage to show the triumph of good will and perseverance on a number of occasions. It’s important to remember that for all the hard and daunting times, we overcame more often than not.

As the year winds down, we face another difficult trial with TN having rising COVID numbers, flippant politicians and a steep emotional fatigue about the whole thing. Two vaccines have been approved but there’s still a stretch of road ahead to see this through. We can’t go back to 2019 but we can come out the other side confident that when we work together, we are stronger.

Without sounding too corny, that mentality is the ethos behind the name We Own This Town. It isn’t about the publishers of this site or the bands and projects that get featured, it’s about everyone. All of us. We own this town and make it what it is. Throughout 2020, we proved that Nashville continously overcomes when we come together.


Our 2020

We strove to continue to bring some quality entertainment, distraction and education your way throughout 2020 by continuing to publish podcast episodes from our delightfully creative team of hosts.

Established shows like San Dimas Today released milestone episodes interviewing cast and crew members from Bill & Ted 3: Face the Music, including Bill himself, Alex Winter. Bandsplainer posted an insightful, data-driven, look at Women in Country Music. The Alex Steed hosted Nashville Demystified released insightful pieces on civic engagement, loads of Music City Tales and even pieces on the history of Nashville wrestling – just to name a few. Thick as Thieves found their way through the technological separation of recording and released an engaging third season all about the intersection of art and crime. Filmography Club researched the works of Jeremy Saulnier and spoke with many friends along the way. The consistently hilarious Hott Minute ran their own Tall Brawl Hottie bracket and took to Twitch to help provide some relief through absurdity. Liquid Gold raised funds for hospitality relief and published a myriad of episodes under the name Gardentined, to help you leverage your home garden during the lockdown. Ladyland posted a fascinating second season of interviews with the likes of Samantha Irby, Joy the Baker and members of the Nashville community on how they came to find success. This is the Place returned from a long hiatus with insights on where to safely eat and drink during these strange times. WOTT Music published a playlist of diverse local music, every week.

Even with that jumble of text, that’s only the very tip of the iceberg in terms of the amount of stories, insights and entertainment being shared from our incredible lineup of shows.

New Shows

We continued to publish shows from our established pocasts but also strove to add more voices and content to our lineup. Our goal is to not only to shine a light on the greatness of Nashville but to support unique stories and insights from those that live here.

DRKMTTR Radio – Our favorite DIY-inspired music venue had a tough year. The lockdown meant no shows, which meant no income and no community building. We launched DRKMTTR Radio alongside the DRKMTTR Patreon to help augment both of those issues. It’s not the same as seeing a band in a cozy space but it’s a great way to stay connected. Be sure to check out the interview episodes with the likes of Bliss Cortez or Kelton Young for more ways to support the community.

If You Don’t Know, Now You Know – launched in collaboration with the Tennessee Democractic Party (TNDP), the idea here is to speak with politicians at the capitol about the issues that have meaningful impact on our daily lives. With the lockdown, these plans did not pan out exactly as planned but host Mary Mancini still managed to bring some enlightening insights on Women’s Reproductive Rights, Tennessee Education and Permit-less Gun Carry. These conversations were timely but the issues continuously persist; education is our best tool for securing the proper rights and safety for all.

Into the Wormhole with Larissa and Lauren – good science fiction serves as reflection and prediction on current social issues. There may be phasers and teleporters but Star Trek, in all its forms, is an excellent example of this. Hosts Larissa and Lauren are self-professed Star Trek fans that discuss these reflections with episodes on maternity, race depictions and colonization (aka gentrification). Their excitement for the world building and characters within is entertaining but their enthusiasm for how to build a better world is downright infectious.

Memento Stori – dealing with loss is an unfortunate theme of 2020 but an inescapable fact of life. Host Rebecca Delius speaks with guests about heirlooms and cherished items left behind by family, friends and coworkers that carry a special relationship to their bearer. These connections can be complicated but dissecting their stories is always a fascinating reveal.

Let’s Face the Music – host Ryan Breegle previously brought us the delightfully macabre My Fantasy Funeral and the electrically insightful Vidalotry. Now he turns his gaze to the stories of the Great American Songbook; the influential songs that crafted the landscape for modern music. These songs may have been recorded more than five decades ago but their creation has every bit of drama you’d expect from a modern Behind the Music.

The Hills are Alive – Nashville is an overtly musical town. Everyone knows at least five musicians within a short stones throw but there isn’t much focus on actual musicals; their storytelling, their exuberance or their pitfalls. Hosts Alex Caress and Kelsey Jayne explore these themes through movie musicals; keeping it entertaining from start to finish.


221

New Episodes Posted

171

Hours of Entertainment

65

New Music Reviews

If you didn’t know, We Own This Town is a small operation. Our hosts work exceedingly hard to create their shows. The words you’re reading now, and throughout the site, are largely written by one person. Our hustle is a labor of love and it gives some context to our year end stats. We managed to publish 220 new episodes spanning more than 170 hours of listening time. That’s over a week of listening continuously and the year isn’t over yet!

Our music reviews slipped this year but we managed to publish insights on 65 releases and various premieres. While the writing may have been lighter than previous years, WOTT Music published a new episode every single week; highlighting only Nashville area music for the duration of the year.

Where we could, we supported various fundraisers and ran more fake but amusing billboards. Like everyone, did our best to survive the mania of it all.

We are indebted to our listeners and supporters but mostly extremely grateful for the strength of Nashville (even when the outlook was bleak). Everywhere, literally the entire planet, had it hard this year. Seeing the outpouring of support for those in need, restaurants, bars, venues, musicians, creators and everyone in between has been inspiring. In 2021, we will strive to do our part in supporting even more of these efforts. We’ll keep publishing podcasts and music reviews and notable news but our aim is to continue to provide aid where we can. With you. Us, Together. We Own This Town.

Thank You

Coquito and Holiday Traditions of Puerto Rico

For the annual holiday episode, Mike, Kenneth and Jess dive in to the coconut cousin to egg nog: Puerto Rico’s Coquito. Mike is joined by Shamil Velasquez, executive chef of Delaney Oyster House, to discuss Christmas in Puerto Rico and the food and drink traditions of the island. Jess Backhus joins in later for a dairy free recipe for Coquito, and recipes for cocktails that “taste like Christmas.” Kenneth brings it home with Booze News that asks the question: Can Russians stay away from alcohol for 40 days? And why is someone making wine at a water treatment plant in Alabama?

Happy holidays from Liquid Gold.


Order Lost Spring: How We Cocktailed Through Crisis on Amazon.

Hear the companion playlist over on Spotify.

Music by Upright T-Rex Music.
Logo by Jess Machen

Dream Chambers – The Longest Night

Dream Chambers (aka Jess Chambers) has an uncanny penchant for creating moody electronic soundscapes that fully immerse you. In early December, Light of Day was released, a three track experimental drone that filled the available space with sound and consumed the listener with modulating repetition. On the winter solstice, Chambers released The Longest Night, a full-length album of new songs that continues to demand the listeners attention through the massive atmospheric worlds it creates.

Throughout the course of the record, the musical vibe sways from the ominously foreboding to optimistically dance-y to quietly melancholy. Set against these various backdrops, Chambers provides consistently uplifting and affirming lyrics – reminding the listener they are not a mistake, they are loved and there is a path forward. One has to assume it was no mistake to provide this juxtaposition during a year of hard times; no matter how dark things may seem, Chambers urges you to remember there is available goodness around you.

It’s a refreshing approach on the generally dour and cynical tact that electronic music often takes. These songs could easily be accompanied by lyrics about a dystopian future or similar ilk but Chambers literally sings “Feeling lost, there’s a trail through the night / Don’t give up the ghost, don’t give up the fight.” It’s fitting that it was released on the shortest day of our year, as the world begins to refresh and literally take its journey back towards the light.

Zeke & Ross – A Very Omnichord Christmas, Again / An Omnichord for Christmas

The Omnichord is a very unique instrument. Introduced in the early 80’s, it often looks like a mix between a Sony Walkmanâ„¢ and a harp. The sound it produces is often described as “kitschy” but it’s incredibly diverse; often shipping with presets for simple beats, MIDI compatibility and additional vibrato and sustain support. Nashville duo Zeke & Ross are very familiar with the allure of this cult instrument as they’ve crafted six, lengthy, albums using them exclusively.

Back in 2015, the duo released A Very Omnichord Christmas I-IV. The massive sixty-six track compilation is an enjoyable trip through loads of Christmas classics and a handful of original instrumentals (we have professed for our love for it previously) . In mid-December of 2020, they released A Very Omnichord Christmas, Again packaged with An Omnichord for Christmas. They’re separate albums but clearly two halves of a whole.

Much like the uniqueness of the Omnichord itself, this dense tome of work is an unmistakably distinct journey itself. The music is a delightfully upbeat and often zany backdrop of whimsy to a load of original holiday songs celebrating everything from not getting coal for Christmas to serving a Boar’s Head for dinner to Santa wanting to drive a slick black Buick. It’s forty tracks, so no list of topics would do it justice to the variety it offers.

There are two “Intermissiontracks (each almost 15-minutes apiece) in which Zeke & Ross assure you they’ll be back to the music soon and discuss amongst themselves a few Christmas curiosities. It’s a lengthy break from the songs but the absurdity of it all is undeniably charming.

That charm is perfectly contagious and acts as a salve for the holiday doldrums. The end of the year can be a bleak time as we reflect on the previous year but Zeke & Ross provide a massive batch of songs that celebrate the season. Their friendship shines through on the recordings as a reminder to let yourself have some fun. They certainly are.

Follow Zeke and Ross on Instagram and pick up some Omnichord merch over on the Nashville Omnichord Supply Co. site.

Keep your Holiday soundtrack local

We’re just a few days away from Christmas proper. This likely means it’s time for you to wrap some presents, prepare a feast of some sort and, ideally, provide yourself with a bit of a holiday soundtrack for all your activities. WOTT recently launched it’s 2020 Holiday Extravaganza Special featuring an hour of local artists crafting wonderful covers and original tunes for your aural holiday needs.

If an hour of locally fueled holiday music is not quite enough for you, don’t worry! There’s a whole lot more worthwhile local holiday music where that came from. Below you’ll find a veritable sack full of goodies for your ears, just click play and enjoy.

First up, dive right in to the WOTT Music archive of Christmas episodes. We’ve been doing this for years!

2020: Volume 229

2019: Volume 175

2018: Volume 123

2015: Volume 72

2012: Volume 58

As with every episode of WOTT Music episode, each of those transmissions contain links out to full albums and compilations of even more music. Somehow, if that’s still not enough (and with holiday music, is it ever enough?) be sure to enjoy these fine selections as well!


To-Go Records Holiday Comp – we did a full writeup on this one but this one is so good, it’s worth repeating. Tracks from Heaven Honey, Teddy & The Rough Riders, Peachy, Donors and many more are available here. Proceeds go towards some wonderful organizations. That’s a double treat!


Petty – A Christmas Album – while this album is already featured heavily in the latest 2020 WOTT Music episode, I really can’t stress enough how great of an album this is top to bottom. It’s got all the charms of an energized hip-hop album but much of it, thematically, serves as a lament for a broken relationship and leveraging Christmas to heal those wounds. Just try and listen to “Not the Same Ole Christmas” and deny its charms. You can not.


Joseph Bradshaw – XMAS – back in 2017, Bradshaw released a delightful diddy with Nikki Lane called “Wait `Till After Christmas” and now he’s back with three new Christmas tracks continuing his delightful deluge.


Rock Eupora – “We Need a Merry Christmas” – back in July, Rock Eupora released two new rock singles and has now bestowed us with a gentle Christmas original yearning for a Merry Christmas. The sentiment is very, very, true.


Bloopr – Evergreen [Mini-Tape] – You don’t hear nearly enough holiday themed instrumental hip-hop tapes this time of year. Even without lyrics or a single sleigh bell, Bloopr manages to give an easy breezy Christmas vibe and mix it with some head-bobbing beats.


That’s nowhere close to an exhaustive list of available local holiday tunes but it’s a helluva start. If you want to continue your deep dive, I suggest listening to Moral Support, A Very Wick-It Christmas, Vol 1, Gummy Soul Christmas, Liz Longley, the 2018 Youth Empowerment for Arts & Humanity Holiday Mixtape, the 2017 Charity Compilation, Joe Pisapia’s Cosmic Christmas, G.E.D. Super Soul Records Soul Christmas compilation, multiple volumes of Sons of Old Town Xmas Extravaganza and, of course, David Argyle Thacker’s Mouth Trumpet Christmas Album. Oh, and Birdcloud’s “Cool Christmas” may actually be the most rewardingly maniacal local Christmas there is, period.

Have a great, safe, holiday and be sure to keep your soundtrack local. There’s no reason not to.

229: The 2020 Holiday Extravaganza Special

Now that we’re deep into the end of the year, it’s time to release our annual Holiday Special Extravaganza! If it wasn’t obvious, it’s a playlist entirely of original, cover and traditional songs steeped in the holiday spirit. These may not be “Christmas” songs per se but, mostly, they are. We go full NPR style with this one while keeping the music as eclectic and varied as we can (amongst the Holiday genre).

Check the playlist links below for more music and be sure to follow Petty, Nicole Atkins, Quichenight, Zeke & Ross, Steelism, Jacob T. Corenflos, Dee Oh Gee, Steve & Tomi, Fetching Pails, Creature Comfort, Erin Rae, Liza Anne, Brineaboy, Kyle Hamlett Trio and Lawndry for updates direct from the artists.

Follow us or submit your music:
Facebook: /weownthistown
Twitter: @weownthistown
Instagram: @weownthistown

Petty
“All I Want for Christmas”

Nicole Atkins
“Every Single Christmas”

Quichenight
“Pandemic Santa”

Glossary
“Merry Christmas, The War is Here”

Zeke And Ross
“Rocking Around the Christmas Tree”

Steelism
“Christmas Around the World”

Jacob T Corenflos
“Linus and Lucy”

Dee Oh Gee
“Santa Claus is Dead”

Steve & Tomi
“Love This Christmas”

Fetching Pails
“Where the Santas Meet”

Creature Comfort
“Christmas In Quarantine”

Erin Rae
“Christmas Starts Tonight (feat. Lockeland Strings)”

Liza Anne
“I’ll Be Home For Christmas”

Brineaboy
“For Christmas”

Kyle Hamlett Trio
“Christmas May Kill Ya”

Lawndry
“Merry Merry”

Crew X
“The Christmas Rap”

Petty
“Not the Same Ole Christmas”

“Main Theme” by Upright T-Rex Music.

Drinking Chocolate

Finally delving into the savory world of drinking chocolate, hosts Mike and Kenneth debate the origins of the flip cocktail and give recipes for the Grasshopper. Jessica drops in for a recipe based on the drinks in the film Chocolat, as well as her own cocktail version. Also discussed: Creme de Cacaó, featuring an old Italian recipe, the chocolate trick played on a case of 18th century Thomas Jefferson wine, and a recipe for Chocolate Chess Pie for the holidays!


Order Lost Spring: How We Cocktailed Through Crisis on Amazon.

Hear the companion playlist over on Spotify.

Music by Upright T-Rex Music.
Logo by Jess Machen

To-Go Records – To-Go Holiday Comp

To-Go Records came out of the gate swinging in August of 2019 with the release of Depression Breakfast’s debut Just Because I’m a Womxn and hasn’t slowed down for a moment with the impressive releases. If you haven’t heard Slush or Engine IX, do yourself a favor and give em a listen.

The latest release from the label is the To-Go Holiday Comp; a fundraiser benefiting G.L.I.T.S. Inc. and Second Harvest Food Bank of Middle Tennessee that features plenty of Christmas covers and originals from an impressive slate of artists. In the short span of ten tracks, the selected artists manage to evoke vibes of introspection, delightful cuteness and even a surprising bit of sultry. To-Go Records co-founder Jacob T. Corenflos even contributes a rendition of “Linus and Lucy” that feels straight from the Sonic Youth playbook; a compliment if ever there was one.

Hearing Slush, Heaven Honey, Bats, Dream Wave, Donors, Iven, Jacob T. Corenflos, Teddy and The Rough Riders, Josh Halper and Peachy all on one comp is enough of a treat to be thankful for during this weird year but the added bonus of being able to support two great organizations by purchasing the compilation makes it even sweeter. Go buy a copy and be sure to opt in to Follow To-Go, they’ve surely got plenty more to offer in the coming years.

2020 DRKMTTR Staff Selections

On this episode of DRKMTTR RADIO we take a wild ride through the best of music contributed from some of the wonderful staff at DRKMTTR. You may have seen them running sound, slinging Sprites, asking you three times to see your ID but today they share some of the eclectic offerings that they’ve been listening to over the past year.

Many thanks to the DRKMTTR Patreon supporters for helping to keep DRKMTTR and the Nashville Free Store a reality.

Follow DRKMTTR
Instagram: @drkmttrcollective
Facebook: /drkmttrcollective
Official Site: drkmttrcollective.com
Nashville Free Store: @nashvillefreestore

Slumdog
“We Delete”

Riki
“Bose Lugen”

Arthur
“I Don’t Want to Talk to You”

Josh Halper
“Who Knows”

Deli Girls
“Loaded Gun”

Crack Cloud
“Ouster Stew”

Nnamdi
“Semantics”

Moth
“Modern Madness”

Hayley Williams
“Dead Horse”

Yves Jarvis
“Victim”

Momma
“Biohazard”

Okay Kaya
“Mother Nature’s Bitch”

Special Interest
“Don’t Kiss Me In Public”

Reserving Dirtnaps
“Blood on the Walls”

Rock n’ Roll Poll Responses

Every year, the Nashville Scene publishes a year-end wrap-up issue looking back at the Year in Music; specifically the local Nashville area scene. It’s always a great read and this year’s issue is no different. They’ve done a great job of compiling profiles on a great deal of local artists across a variety of spectrums.

As part of the issue, they invite members of the music community to weigh in on a “Rock n’ Roll Poll” covering various broad topics. I (Michael Eades) have been invited to participate in this poll for a number of years, with yk Records and We Own This Town serving as my credentials for my subjective opinion. I’m always flattered to be invited and honored to see my name among the likes of so many talented artists, writers and creatives around town.

All that setup to say, the Poll is wonderful but it’s also prone to editing. It has to be! That’s not a slam on what The Scene is doing but any publication that talks to 60+ people is going to have to par it down. I tend to be somewhat verbose (as you can see from the mountain of text above) and that isn’t a great combination for not being edited. Short and Sweet is the name of the game but, unfortunately, I’m not playing that game.

So, I thought it’d be interesting to share the full text of my responses to the Poll. Not for any sort of self-congratulatory measures but because there’s so much music that is released in Nashville in a given year, it’s impossible for one person, one article, one publication to cover it all. My hope is that by seeing the full text of my responses, you can assume that others are responding similarly.

Please do keep in mind that I carry a heavy bias towards my yk Records releases but do my best to support the scene more widely as best I can.

What local artist/band ruled Nashville in 2020?
I know brevity is the soul of wit but there’s an absolute avalanche of phenomenal music from Nashville musicians across every imaginable spectrum for a given calendar year. It’s a delightful problem to have but makes summarizing arduous. That said, my shortlist would be from Black Bra, Tower Defense, Meadownoise, Prudish Few, The Medium and Spencer Cullum’s Coin Collection. Releases from Eve Maret, Oginalli, Ornament, Brineaboy, Juan Solorzano, The By Gods, Fever Blush, Grumpy, Heaven Honey, Luke Schneider, Rich Ruth, Palm Ghosts and Sean Nelson (to name just a few) were all riveting.

Oh, and Nashville hip-hop releases from Ron Obasi, Da Real A1yo, Gee Slab, Petty, Quez Cantrell, Rashad Sylvester, Daisha McBride, Namir Blade, Negro Justice, Lul Lion, B. Stokes, Fu Stan, $avvy and countless others were consistently spellbinding.

What local artist/band is going to rule in 2021?
I predict Nashville hip-hop is going to reach new levels of national awareness. Beyond that, I’ve got my ear out for new releases from Les Ailes, Katy Kirby, Wilby, Nashville Ambient Ensemble and Palm Ghosts.

What’s your favorite discovery this year?
That with very little prodding, our community comes together to support one another. Not once did I feel charity fatigue because there’s so much goodness to work our asses off to preserve.

We Own This Town made a concentrated effort to expand our genre coverage this year; moving out of the world of strictly indie rock and trying to consciously play music we were not immediately familiar with. I am happy to report, Nashville music excels in all departments, you just gotta let yourself hear it.

What’s helped you the most in coping with the pandemic?
Seeing folks step up with efforts to preserve our sacred spaces made the medicine go down easier. From a practical perspective, podcast binging has been a bright spot – shoutout to the entire We Own This Town family of shows – and the convenience of Drizly, Postmates and Instacart is a privilege I couldn’t be more thankful for. Oh, and Netflix Party (now called Teleparty) is wonderfully fun.

One thing you hope doesn’t come back once the pandemic ends?
Aloof pessimism. Let’s keep looking out for one another, supporting one another and celebrating wins from everyone. Hipster snark should be a thing of the past. Also, please stop auto crossposting to Twitter from your Instagram. It’s useless!

Who deserves more coverage than they got in 2020?
Nashville video creators; anything SECK and Josh Whiteman make should be covered exhaustively. More indie label coverage (Real Sword, West Riff), more metal coverage, more weirdo electronic music! Launch a Concept Album Corner for the Fable Cry’s, Blam Blam’s, Negro Justice’s and Bad Luck Mattresses’ of our scene! But, in all honesty, the Scene does a damn good job of showcasing so much of what is coming out of the community, keep it up.

What’s the best music story of the year?
Watching the metamorphosis of DRKMTTR from badass DIY venue to HQ for Nashville Free Store and Nashville Community Fridge was the best lesson of the year, hands down. We all survived a lot this year but somehow they took the worst case scenario and made it into something hugely beneficial for people way outside the music scene. It was inspired and inspiring.

What’s your favorite local record of 2020?
Choosing a single local record for a year is torture. I refuse to play this masochistic game so here’s a some heavy rotation notables: Palm Ghosts – Wide Awake and Waiting, Fu Stan – Lockdown, Ron Obasi – Sun Tapes, Oginalli – Pendulum, Eve Maret – Stars Aligned, ElonMusk – …As Your Wanderer Taps At The Invisible Gate, Donors – Self-titled. And, of course, all of the unbelievably great yk Records releases.

What’s your favorite local song of 2020?
There can not be just one! “Modern Feminist” – Black Bra, “Total Abandon” – Heaven Honey, “Synthesizer Hearts” – Eve Maret, “Pool Party” – Tower Defense, “Fade Away” – The Medium, “Lockdown” – Fu Stan, “The Ballad of Dick Gregory” – The Watchman & thaPoet, “Bag/Purse” – $avvy, “Dieterich Buxtehude” – Spencer Cullum, “Tenderly” – Charlee,. I could go on but there’s just way too much to list.

Best streaming performance you saw this year?
Both Little Bandit and Tower Defense had unbelievably captivating shows streamed from The 5 Spot. More complex setups from Festival of Ghouls, DRKMTTR and Far Out Fest blew my mind with the volume of great performances. All that said, ‘dj_jimmy’ on Twitch on Saturday nights is truly the best kept streaming secret; a regular 80’s dance party straight from the Canvas dancefloor.

Dive into the Hott Minute Digital Bag of Hotties

Hott Minute is a podcast about “Who’s hot and why?”, an absurd conceit that exists for hosts Jamie Bradley and Ashley Spurgeon to discuss pop culture, the lens of attraction and just be funny. On the show, they regularly dive into a “Bag of Hotties” – a literal paper bag filled with names that they share their opinions on. It’s a silly game but an entertaining exercise in the breadth of their knowledge of the zeitgeist both past and present.

We recently launched the Digital Bag of Hotties; a website where you too can participate in the ridiculous. Click the button to receive a randomized name (discussed on a prior episode of Hott Minute) and share your thoughts. There’s an option to tweet at the show but, frankly, it’s just as fun to play along with friends and family in (socially distanced) real life.

Hott Minute is a fun show. It’s a lighthearted affair meant to provide a break and examine the stuffiness of the world around us. Now with the Digital Bag of Hotties, you too can wax eloquent about the inane. Enjoy!

Let’s Cry About “Dark Page”

What’s more festive than watching a super emotional episode of TNG with your sister? Larissa’s OG Number One and board certified music therapist, Amanda, is this week’s special guest! The sisters discuss the TNG episode “Dark Page”, which is the last appearance of Lwaxana and Deanna Troi together onscreen. They get deep into the impressively accurate depictions of repressed trauma, metaphoric manifestations of barriers around that trauma, the relationships between mothers and daughters, and the importance of remembering loved ones who have died. There are tears. It is heartwarming.

If you’re interested in learning more about music therapy, visit Maestro Music Therapy at maestromusictherapy.com!

Subscribe to catch all the new episodes and follow @intothewormhole.podcast on Instagram for more!