Less Than the Gestation Period of an Elephant

In a special holiday episode, the guys discuss updates on Face the Music, the announcement of a new composer, Keanu Day, and the benefits of low-key fandom in the wake of the release of the latest Star Wars.

177: 2019 Highlights with Lance Conzett, Part 2

If you haven’t heard Part One yet, give it a listen.

Bon vivant Lance Conzett returns for Part Two of the 2019 Highlights rundown. As with the previous episode, this is decidedly not a Best Of episode (we don’t agree with such subjective rankings) but simply a group of songs worth taking note of from the year. There’s plenty more where this came from as Nashville has proven over the past 12 months to be a boundless well of enjoyable and diverse creations.

These eight tracks (sixteen total counting the previous episode) give a small glimpse at that diversity as we cover a range of styles from the Delightfully Weird Indie to Sinister Blues Inspired Rock to Calming Ambient music and even Gripping Conceptual Hip-Hop. See the links below to dive into more music from each of the releases from Twen, Hari, Ziona Riley, Adia Victoria, Thad Kopec, Chuck Indigo, Rich Ruth and Petty.

After partaking, take some time to relax, do nothing and then dive into the WOTT Music archive for even more phenomenal music released throughout 2019.

Follow us or submit your music:
Facebook: /weownthistown
Twitter: @weownthistown
Instagram: @weownthistown

Twen – “Damsel”

Hari – “When the Light Comes In”

Ziona Riley – “Bury This Heirloom”

Adia Victoria – “Different Kind of Love”

Thad Kopec – “Its Been Said”

Chuck Indigo – “Overtime” feat. Tim Gent

Rich Ruth – “Haynes Manor”

Petty – “Dracula”

“Main Theme” by Upright T-Rex Music

R. Stevie Moore – Lets!

If we’re being honest, a new release from R. Stevie Moore is a very commonplace occurrence. It’s unclear if there’s any sort of official count on his discography but it certainly exceeds 400 albums at this point. It’s an onslaught to keep up with but, quite frankly, always manages to offer something worthwhile.

Let’s is the latest release from the deep well of Moore and the fourth official release for To-Go Records. Technically a compilation, these thirteen tracks are previously unreleased gems from various releases from the 70’s through the 90’s. The album was curated by Moore himself, so one must assume that despite their lack of release, they hold a special place even for him.

The signature R. Stevie Home Recording Styleâ„¢ is ever present throughout the record but Moore’s pop brilliance cuts through on almost every track. “Advertising Agency of F King” is a personal fave and proves the notion that you don’t need fancy recording gear to capture a memorable, catchy and enjoyable song. There’s generally a touch of humor or tongue-and-cheek delivery within most of his oeuvre but tracks like “Think About Living With Me” crack through that veneer just a little and allow some proper emotion to seep through.

R. Stevie Moore is a fascinating creator. His output is staggering to the point of overwhelming but if you’re willing to put in the time for even one record, you’ll find yourself wanting more. With that in mind, let yourself put in the time with Let’s! and see where it takes you.

We Own This Town Wrapup 2019

As the end of a year comes to a close we like to take a moment to reflect on the previous trip around the Sun, summarize our activities and maybe humblebrag a bit about our accomplishments. If we don’t put these things online, how will we ever remember them?! As such, here’s a quick look back at We Own This Town in 2019.

Best Podcast Network

It goes without saying that we were absolutely thrilled and completely flattered to be named Best Podcast Network by the Nashville Scene in their Best of Nashville 2019 issue. We even got our picture in the paper!

While winning an award is certainly humbling, it serves as a real fire under our collective asses to do even better in 2020; more shows, more variety and raising more great Nashville voices.

Six New Shows

While we had plenty of new episodes from existing shows like San Dimas Today, Liquid Gold, Hott Minute and fan/fiction, we also added several new voices and stories to the fold in 2019. If you haven’t tuned in to any of these wonderful new offerings, now is the time to catchup.

Nashville Demystified – host Alex Steed moved to Nashville in February of 2019 and immediately set upon learning all he could about his new city. This show documents those conversations and discoveries. As it is published weekly, it is hard to say where to start here but you can’t go wrong with The Nashville Flame, Remembering Ernest P Worrell or a history lesson in Nashville’s White Supremacy Bombings.

Thick as Thieves – hosts Veronica Kavass and Sara Estes have both worked in art museums and as Private Investigators. As such, they are well equipped to talk through various Art Heists; as that intersection is right up their alley. Every heist is compelling but start with Abstract Expressionism in Tucson, AZ.

My Fantasy Funeral – Imagine you are dead. What songs would be played at your funeral? Who would give your eulogy? Where would your remains rest, forever more? These questions, and plenty more, are posed by host Ryan Breegle to a wide variety of guests to help unearth their life stories. You can’t go wrong with any episode but if you’re looking for a place to start, go with Bang Candy’s Sara Souther or multi-instrumentalist Larissa Maestro.

Ladyland – Kim Baldwin has been interviewing women from a wide spectrum of careers for years but 2019 found her renovating the format into a captivating conversational podcast. We recommend starting with Freya West for some insights on body and sex positivity or Tisha Wilson for some jaw-dropping time management. From there, you’ll be hooked.

Filmography Club – Film criticism is a tough art. Go too far down the rabbit hole and you sound like a pretentious prick, fail to contemplate the works at head enough and you sound like a dummy. Host Jason Caviness looks to refine those skills by tackling the body of work of one filmmaker per season and bringing in experts to discuss the creations. Season 1 is all about Paul Thomas Anderson, so start at the beginning with Hard Eight.

Chris Gaines: The Podcast – Hosts Ashley Spurgeon and Michael Eades share an unhealthy obsession with the brief period of time in 1999 when country superstar Garth Brooks revealed a fictional persona to the world named Chris Gaines. The two of them go deep on all the details in celebration of the twentieth anniversary of the reveal. You gotta start at the top.

201

New Episodes Posted

155

Hours of Entertainment

128

New Music Reviews

We’re a small operation over here at We Own This Town but through the course of 2019 we managed to push some fairly impressive numbers. There’s just over two hundred new podcast episodes totaling over 155 hours of listening. That’s nearly a solid week of listening to back-to-back episodes every day, Sunday through Saturday, to hear it all.

We also published reviews and debuts for over 120 music releases. Given the onslaught of releases for a given calendar year, that’s not nearly covering everything but it’s still a helluva lot of great new music for you to hear.


We also ran a bunch of fake billboard ads that, despite the poor Photoshopping, trick a good deal of folks! We sponsored some shows, threw our own parties and helped facilitate some great absurdity… just to name a few highlights. Not too shabby.

Looking ahead to 2020, we plan to stay the course. We’ve got several new shows in the pipeline, some favorites coming back for new delights and aspirations to get out into the real world more. We are immensely thankful for anyone taking the time to read, listen or share what we’re doing. We’re indebted to you and can’t wait to keep churning out better and better treats.

Thank You

Hurts to Laugh – “Mister Nineteen Eighty More” (Official Video)

Over the years, Hurts to Laugh has slowly allowed themselves to transition from being an over-the-top heavy rock band to being a politically vocal, over-the-top heavy rock band. This transition seems to be officially complete with the release of “Mister Nineteen Eighty More,” an anthem for our political times if ever there was one.

The video sets singer and guitarist Cliff Cobain in front of projected images of combat footage, dictators and various world tragedies as he croons into the mic. Lyrically, the song doesn’t pull any punches. Cobain’s persona of the titular character is self-indulgent, disdainful of anyone who dares disagree and serves as a clear warning sign of the road ahead. Musically, it’s a big riff rock song that Hurts to Laugh has proven their aptitude with. While there aren’t too many surprises in that department, it’s great to see the band step out and speak so directly to the issues they see before them.

As luck would have it, this video debuted one day before the 45th President of the United States was impeached. What lies ahead for our country and for the divisions of our political parties is a giant question mark but maybe, just maybe, it’s a sign that Mister Nineteen Eighty More will suffer a setback in reaching the dystopian laid out here.

The track is available on Bandcamp and on limited edition 7″ starting Feb 2020.

The Egg Nog Riots of 1824, Nog recipes and a Nogapalooza Special Report

Hosts Mike and Kenneth deep dive into all things Nog in the show’s first anniversary episode. They open with egg nog origins, the Eggnog Riot of 1824, give some special nog recipes, before Mike reports live from Nogapalooza 2019. Booze News takes a very long Uber ride.

Music by Upright T-Rex Music.
Logo by Jess Machen

Climb aboard the Spaceship of the Imagination

“Embrace the Chaos of Christmas” is the tagline for The Spaceship of the Imagination, a “synthesizer band turned theater troupe” that’s been performing for the past eleven years every holiday season. That chaos they speak of could mean many things to many people; the stress of gift buying, the delicate act of avoiding political conversations, the disruption of your regular schedule or maybe even the emotional baggage of feeling alone during a familial time of year. Whatever form it takes, a little respite would certainly be welcome. Spaceship of the Imagination aims to provide that respite.

Starting on December 19th through December 21st, this fifty-person production group will present Ms. Claus Saves Xmas, the latest chapter in their ongoing story about Krampus, a fleet of Space Force officers and, of course, saving Christmas. For a bit more insight on the exact details on that story, check out this Nashville Scene piece, which provides an excellent summary.

As a teaser for the occasion, the group released an official video for “Hold on to Xmas” – a ballad sung from the heroine Ms. Claus about finding the strength of being alone and moving along. Not exactly the kind of Christmas Cheer you’d expect from a backing band of felt puppets but a heartfelt sentiment none-the-less. If you’re looking for something a bit more upbeat to pull you in, check out the group’s Instagram page for some behind-the-scenes insights, ridiculous puppet interviews and one bad-ass looking Krampus.

Tickets are on sale now for the three night event. Pick one up here and visit their official site for more information.

Anthony Simpkins of GemsOnVHS

Anthony Simpkins is the creator of GemsOnVHS. He is a Musicologist and documentarian. Early in their careers, he has captured intimate performances by Lost Dog Street Band, Matt Heckler, Erin Rae, Casper Allen, Sierra Ferrell, and more. We talk about genre, curation and how he goes about finding the artists he documents on his popular YouTube channel.

More from Anthony Simpkins
Official Site: gemsonvhs.com
YouTube: /GemsOnVHS
Instagram: @gemsonvhs
Facebook: /gemsonvhs

More on Nashville Demystified
Official Site: nashvilledemystified.com
Instagram: @nashvilledemystified
Twitter: @NDemystified

Brought to you by Knack Factory

Commentary Special: Die Hard

Pop in your Die Hard DVD, queue up the movie on Amazon or your preferred streaming service and press play on this episode as the 20th Century Fox fanfare begins.

This week we break from the exploration of Paul Thomas Anderson’s body of work for a bit of a holiday treat; a commentary special on Die Hard, the 1988 John McTiernan film that finds Bruce Willis in his most infamous role as Detective John McClane. Guests Dycee Wildman and Caleb Dirks join host Jason Caviness to watch the film and speak to the on-screen action. They discuss the ever haunting question – Is Die Hard a Christmas movie? How hard did the writers have to work to get McClane shoeless? Are the sequels worth watching at all? And so much more.

More on Caleb Dirks:
Official Site: calebdirks.com
Instagram: @cdrks
Facebook: /calebdirks.com

More on Dycee Wildman:
Official Site: dyceewildman.com
Instagram: @diceydycee
DEFY Film Festival: defyfilmfestival.com
Daisy Dukes Films: daisydukesfilms.com

Follow Filmography Club on Instagram @filmography_club_podcast.

Music by Uncle Skeleton

Zeke & Ross – A Very Omnichord Christmas

When compiling our 2019 Holiday Extravaganza Special episode for the WOTT Music podcast, we stumbled upon a perplexing and massive collection of songs called A Very Omnichord Christmas Remastered, Vol I-IV by Zeke & Ross featuring Dennis McCarke. The album contains 67 tracks of Christmas classics, originals and lengthy instrumental breaks all performed with a drunken cheeriness and Omnichord accompaniment.

For the unfamiliar, the Omnichord is vintage electronic instrument (if you count 1981 as vintage) with a very distinct sound and manner of playing. If you’re in the market for one, there’s an endeavor in town called Nashville Omnichord Supply Co that posits itself as a non-serious undertaking that, quite seriously, repairs and sells actual Omnichords. Said undertaking is the brainchild of Ross Collier; of the eponymous Zeke & Ross.

Releasing four volumes of Christmas music, totaling four hours of listening time, could easily result in a total mess. In unearthing the mystery behind this massive tome, it became clear that the aforementioned “non-serious” aspect of it all is key to enjoying the release. This isn’t meant to pique your interest with its overly slick production, this is aimed directly at the part of you that finds enjoyment in unbridled, well-natured, fun. It’s never sloppy, never poorly performed and never lacking in a knowing grin. It’s the perfect trigger for unwinding during the holiday season. Dip your toes in with an instrumental break, a familiar cover or a delightful classic.

176: 2019 Highlights with Lance Conzett, Part 1

Journalist, photographer and bon vivant Lance Conzett joins host Michael Eades for a special two part episode in which a moment of reflection is taken for a few notable releases from 2019. It’s important to note, this is decidedly not a Best Of episode but distinctly a Highlights collection.

Over the course of the next two episodes, Lance and Michael share eight tracks a piece; sixteen releases ranging from delightful Pop, to intense Punk to the peacefully Ambient. However, sixteen tracks from a year of music is barely scratching the surface. These selections are, clearly, subjective and not in any way holistic. Stack ranking a year of releases is a fool’s errand and we won’t even attempt it.

Enjoy part one of our selections and do yourself a favor by diving into the WOTT Music archive for even more phenomenal music released throughout 2019.

Follow us or submit your music:
Facebook: /weownthistown
Twitter: @weownthistown
Instagram: @weownthistown

Daniella Mason – “Get Me Out Of My Head”

Crave On – “Ouroboros”

Brasko – “Lipstick Stains”

Faux Ferocious – “Price of Progress”

Depression Breakfast – “Lofty Thots”

Future Crib – “Friends!”

Bleary – “Ghost”

Anchor Thieves – “Long Way Out”

“Main Theme” by Upright T-Rex Music