315: Everything but Skronky Jazz with Mary Mancini


Mary Mancini, founder of Lucy’s Record Shop (the physical shop and the podcast), joins for a discussion about the Lucy’s legacy, the screening of Lucy Barks! at the Belcourt on Sept 12th and the upcoming 30th anniversary show on Sept 18th. Oh, and we trade off musical selections spanning old favorites, new discoveries and all points in between… except for Skronky Jazz, none of that.


Follow us or submit your music:
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“Main Theme” by Upright T-Rex Music.

314: It’s Just Good

This episode is brought to you by Nashville Galaxy, an online shop of t-shirts remembering old Nashville. If you remember Spongebath Records, Video Culture or The Muse; they’ve got a treat for you. You can find them at NashvilleGalaxy.com and use code WOTT at checkout to get $5 off your order.


A few quick announcements: MomCult is returning for Season 2 soon! Go subscribe to that. The latest episode of Devalued is very good; go listen to that. Lucy’s Record Shop is having a 30th anniversary celebration this coming week and you should participate! Come out to the Belcourt on Sept 12th for a screening of Lucy Barks! and live podcast recording – tickets here. Come out on Sunday, Sept 18th to DRKMTTR for a massive show with old bands, reformed bands and contemporary bands alike; an all day affair. Tickets for that are here.

This episode of WOTT Music is short, sweet, quick, dirty and wonderfully entertaining. Honestly, it’s just good.


Find more music from each of our artists linked below and be sure to follow Six One Trïbe, Forget Cassettes, Volunteer Department, Yours Truly Jai & Gretchen, Justinlee, BeHoward, Tayls, Real Humans, Venus & The Flytraps, Jive Talk and Sean Thompson’s Weird Ears for more updates.

Follow us or submit your music:
Instagram: @weownthistown
Twitter: @weownthistown
Facebook: /weownthistown

“Main Theme” by Upright T-Rex Music.

Six One Tribe
“WHOLOTTA”

Forget Cassettes
“Quiero Quieres”

Volunteer Department
“Make It Easy”

Yours Truly Jai & Gretchen
“BOYS GO TO JUPITER”

JustinLee
“Watch Me Fall”

BeHoward
“WTS”

Tayls
“Universe is Crumbly”

Real Humans
“Body Count”

Venus And The Flytraps
“Happy to be Here”

Jive Talk
“U in Mind”

Sean Thompsons Weird Ears
“Instrumental Health”

Volunteer Department – “Make It Easy” [Premiere]

Extremely happy to share the brand new single from Volunteer Department from the forthcoming EP Clean Living, due out this Fall on Like You Mean It Records. With the releasee of “Make It Easy,”
Volunteer Department once again proves their keen ability to write a delicious melody filled with subversive commentary and just the right amount of snarling bite.

Previous singles like the righteous “Shitten” or spellbinding “Cows of Tomorrow” collab with Heaven Honey had already firmly entrenched our love for Oliver Hopkin’s songwriting style but “Make It Easy” takes a slightly different tact. While the most recent previous releases have been very clear in their outward spite towards their subject matter, this new track is more reserved, colder and, somehow, even more cutting. The accompanying press release for the track provides the necessary backdrop to truly appreciate it’s commentary.

“This song has such a passively bitter quality to it that I feel compelled to shed some light on the circumstance surrounding it’s creation. I’m not an inherently negative or aggressive person. I try to meet people where they stand but not all folks are like that. There was this man in my life for a few years who was a veritable alcoholic/narcissist and he would call me up and chew me out quite often when he was was feeling aggressive. I got really tired of that eventually, told him that respect was a two way street, and then wrote “Make it Easy” a week or so after my final interaction with him. So if anyone’s got some truth they need to lay on someone refusing to respect their boundaries then this song is for them.” -Volunteer Department

With the benefit of context, the song really lifts off as a laser focused fuck you. The juxtaposition of that impetus against the light arrangement and beautiful crescendo the track takes is exactly why we’re always excited when news of fresh Volunteer Department hits our inbox.

We don’t have the firm release date for the full EP release but this taste of the new works is more then enough to whet the appetite. There’s no telling what vibe it will take but we’re here for it.

Steel Wheels of Life feat. Dallas Thomas

Dallas Thomas picked up a guitar and became a prolific Lucy’s regular when he was just 14-years-old and barely able to lift his amp, playing with his friends in Fingerhutt, High Strung, Brown Cow, Little Monkey on a Stick, and Boobyhatch (to name just a few). And he was just getting started. After Lucy’s, Dallas, Erik Holcombe, John Roberson and Chris Fox formed the “satanic thrash rock juggernaut” that was Asschapel. For seven years Asschapel toured the Western world. They even made it to Bosnia using only a German map, where they met that country’s version of House O’ Pain’s Don Kendall. After the wild and bittersweet Asschapel ride, Dallas volunteered for a Hurricane Katrina relief organization which, sadly, left him disillusioned but, happily, helped him find his way back to playing music. For the next ten years Dallas would once again tour the world, this time with the experimental post-metal band Pelican. Now a father Dallas is exploring his hardcore roots as a member of READY FOR DEATH, a new band set to release their first record in December.

At the end of each interview I always ask if there is something we didn’t get to that the guest would like to talk about. Usually everyone says no. Dallas surprised me when he said yes. But I wasn’t surprised when what he wanted to talk about was his dad, Bill, who took supportive parenting to a whole new level.


READY FOR DEATH is a new Chicago-based death-thrash outfit made up of current and former members of Pelican, Racetraitor, Indecision, Annihilus, Luggage, Haggathorn, and Asschapel. Heavy metal veterans delivering breakneck beats, crushing tones, and dystopian realms. Debut self-titled LP out 12/9 on Translation Loss Records. Pre Save/ Pre Order Link: https://orcd.co/readyfordeath

Instagram: @readyfordeath666
Facebook: /readyfordeathband
Twitter: @READYFORDEATH85
Translation Loss

Show Notes

For full show show notes, visit the Lucy’s Record Shop site.

Fingerhutt – “Leroy”
Asschapel – “Carcass Bloody Carcass
Fingerhutt – “36 Sticks”
Little Monkey on a Stick
Asschapel – “The Sledgehammer Assault
Ready for Death – “Cyborg Priest
Boobyhatch – “Ode to Hefe
Lambchop – “So I Hear You’re Moving (Intro)

There’s No Blueprint with Namir Blade & Gee Slab

In this conversation, Gee Slab and Namir Blade open up about how to stay true to your art while carving out a successful path in independent music, how a good music scene makes everybody stronger, and why marketing is something every creative person needs to learn – and so much more.

Follow Gee Slab:
instagram.com/geeslab
twitter.com/geeslab
geeslab.com
Bandcamp
Spotify
B.I.N.O.

Follow Namir Blade:
instagram.com/namirblade
twitter.com/namirblade
Bandcamp
Spotify

Six One Tribe – “WHOLOTTA”

Back in May of 2022, The Nashville Scene ran a cover story by Lance Conzett taking a Deep Dive into Nashville’s Rap Scene. Many solo artists and collective groups were showcased – including Six One Tribe; a group of emcee’s so large it’d be absurd to list everyone involved. Talent like Namir Blade, Gee Slab and Negro Justice may pop out to you but names like Evan Grey, 30 $ales, Intylect, AndréWolfe, Tripgod F’RF’R and so many more are involved.

As the collective, they’ve released The Soul in the Ville EP and the previous single “10,000 Hours.” Today they released “WHOLOTTA,” a track that teases a full-length album coming November 4th. The single, and video, feature a large number of the emcee’s that are part of the collective but, as far as I can tell, it’s really only a fraction of the whole. What’s truly fascinating about the track is the divergence in style from the previous releases. “WHOLOTTA” is not like what we’ve heard from the collective before and certainly subverted my expectations. It’s catchy as hell but it seems to be making a statement that Six One Tribe has plenty of surprises in store for all of us.

I’d be remiss not to mention there’s a great deal of firearms being showcased throughout, along with the stereotypical raining cash and women-as-sexual props. However, the video comes with a warning at the top that “the things you are about to see are all lit but they are props… none of this is real.” Is this simply a safety net for the guns? Or a larger statement that the tropes being used in the video are intentional… “none of this is real.” Maybe I’m reaching but it could be a larger statement about the trappings of hip-hop culture.

Only time will tell but “WHOLOTTA” certainly locks in my interest levels. There’s no telling what the next single will sound like and predicting what the full-length album has in store would be a fools errand. We all just to keep listening to find out.

Shots! The Old Cuban and Southside

For a Labor Day weekend edition of “Shots,” Liquid Gold hosts Mike and Kenneth go over two late summer, mint-forward, insanely delicious cocktails: the Old Cuban, and the Southside. Audrey Saunders’ modern classic celebrates its 20-year anniversary, while Kenneth goes over the Al Capone-prohibition era classic used to celebrate scores on the Southside of Chicago. Recipes and stories abound, as Kenneth tells us why he’s nonplussed by the new Top Gun, and Mike gives a bonus shot, the greatest mint-forward tiki drink ever created: the Missionary’s Downfall. Happy weekend imbibing from Liquid Gold!


Music by Upright T-Rex Music.
Logo by Jess Machen

S01.E12: Antebellum

The boys review and discuss Gerard Bush and Christopher Renz’s 2020 film Antebellum. Starring Janelle Monáe, Jena Malone, Eric Lange, Tongayi Chirisa and Gabourey Sidibe.


Follow The Horror Fried Podcast on Instagram @thehorrorfriedpodcast, Letterbox @thfp615 and Slasher @THFP615.

Tayls – “Universe is Crumbly”

Tayls is set to play Live on the Green this Sunday, September 4th at 5:30 in the afternoon. The sun will be starting to set and I’ve no doubt that the band will explode on stage with an energy that has become synonymous with their whole vibe.

Case in point, the band just released their brand new single “Universe is Crumbly” and there’s no better word to describe it than explosive. The track is an excellent fit to their ever growing catalog of songs that manage to exude a bright optimism filled with sing-along choruses while lyrically tackling self-doubt, loneliness, and introspection. Taylor Cole sings:

We’re just trying to keep it together
Feels like everything is coming apart
Like living in a twilight zone
feeling so alone
I’m just fumblin’ around in the dark

This sentiment has become true for many of us post-COVID, post-Roe v Wade, mid-environmental collapse, or just for no global reason at all. Living is hard and Tayls has never shied away from tackling those feelings head on. “Universe is Crumbly” packages up all that anxiety and unfurls it as an exorcism. Bottling up those feelings will only eat away at your insides but, here, Tayls lets all those feelings fly free.

We’ve got it on good authority this isn’t the only new Tayls song in the pipeline but it’s an excellent reminder to see them at Live on the Green and, more importantly, to embrace a soundtrack to your life that lets you release it all with exuberance.

Support the New Streaming Royalty to Fairly Pay Music Artists

TLDR: there’s a Congressional proposal to introduce a federally mandated royalty rate. You should contact your Congress person right here to let them know you support it.

Tomorrow, Sept 2nd, is Bandcamp Friday. On these occasions, the Bandcamp service waives their fee and gives 100% of purchases to the artists offering their music. Generally there is a fair percentage share between the artist and the service but Bandcamp has carved out some days to support artists more fully with the upside that lots of people talk about Bandcamp on that particular day. It’s possible to build a sustainable income from Bandcamp services and Bandcamp Fridays but it’s not likely to be the norm for most artists. It’s 2022 and not a lot of people are buying music anymore. MP3 collections may not be extinct but they’re far from standard.

Streaming music with the likes of Spotify, Apple Music, Google Play, Amazon Music and their ilk is much more common. If you’re not aware, these services pay a royalty to artists (or their performing rights organizations like BMI / ASCAP). This isn’t news to anyone but that royalty rate is low. There are calculators to help you determine what sort of income may be generated from streaming but the average payout of “$0.003 – $0.005 per stream” isn’t going to make most artists any sustainable income. To further complicate matters, it’s disingenuous to claim the royalty rate is per stream because none of the streaming providers actually crunch the raw numbers. They use a payout system based on pooled averages and, quite frankly, the whole thing is so complicated it’s absurd. The TLDR is; most artists aren’t making any legitimate money from streaming.

That background information sets the stage for a new Congressional resolution for a New Streaming Royalty, introduced by Rashida Tlaib. The press release doesn’t contain much information beyond the idea that “artists should be paid more fairly” and “streaming services should be more transparent.” The actual text of the bill contains more finite details, tho the language is often hard to parse. The gist of the proposal is: the federal government should be defining a new royalty rate that is more on par with physical media royalty rates and would be administrated by SoundExchange and the Copyright Royalty Board.

The specifics of what that royalty rate would be is not defined in the proposal. The resolution is simply to establish that the federal government should define the rate rather than having it be defined by corporations with their own self-interest at mind. It enforces a more fair playing field.

The next step is for this resolution to be voted on before there can be further action. This means you should contact your Representative and let them know you back the resolution. Tennessee has a rich history of R&B, Country, Soul, Motown and all points in between; not to mention a thriving modern scene of Indie, Hip-Hop and Pop. Our Congressional representatives may be numbskulls most of the time but, fortunately, this one is a no-brainer to support. Let them know.

Kids Today (feat. Dru the Drifter)

Do you ever wonder what has and hasn’t changed in the punk DIY community in the last 30 years? To find some answers host Mary Mancini spoke with 17-year-old Dru the Drifter who does it all – he writes and performs, books shows, and records and releases his own music. We talk about his musical influences, his struggle to find places to play, his songwriting process, how living in the bible belt fuels the punk rock scene, and his goal to release 100 albums by the time he’s 27.

Dru the Drifter has released three albums (41 songs) in 2021 and almost an album a month so far in 2022 (92 songs). His goal is to release 100 albums by the time he’s 27 and never have to make another sandwich at Jersey Mike’s again.

Listen to Dru the Drifter on Spotify.


Show Notes

For full show show notes, visit the Lucy’s Record Shop site.

Lambchop – “So I Hear You’re Moving (Intro)
Dru the Drifter – “Why’re You Talking Shit
Dru the Drifter – “The Shampoo Song
Dru the Drifter – “I Don’t Wanna Take My Meds
Schizos – “Come Back With A Warrant

313: The Anticipation is Thrilling

This episode is brought to you by Nashville Galaxy, an online shop of t-shirts remembering old Nashville. If you remember Summer Lights festival, Spongebath Records or the phrase “It’s Hit and You Need a Pool”; they’ve got a treat for you. You can find them at NashvilleGalaxy.com and use code WOTT at checkout to get $5 off your order.


Been a minute since an episode! Sorry about that but we’re back with a load of wonderfully eclectic offerings. Phenomenal work from everyone featured here and please click through to listen to more from each of these artists; there’s tons more to discover.


Find more music from each of our artists linked below and be sure to follow Caitlin Rose, Elke, Dialup Ghost, Hew G, BeHoward, Virghost & KingPin Da’Composer, Claire Maisto, Donny Apollo, Anna Orchid, *repeat repeat, Smart Objects, Palm Ghosts, Rock Eupora, Lou Turner, Joey Kneiser and Kyle Hamlett Duo for more updates.

Follow us or submit your music:
Instagram: @weownthistown
Twitter: @weownthistown
Facebook: /weownthistown

“Main Theme” by Upright T-Rex Music.

Caitlin Rose
“Black Obsidian”

Elke
“My Sweetheart” (Official Video)

Dialup Ghost
“Cruelty U.S.A.”

Hew G
“Where You Been”

BeHoward
“No Microwave”

Claire Maisto
“favorite song”

Donny Apollo
“Phrom Foenix with Love”

Anna Orchid
“666spikes” (featuring Freak Daddy)

Repeat Repeat
“She Doesn’t Like To Go on the Internet”

Smart Objects
“Respirator”

Palm Ghosts
“Signal”

Rock Eupora
“Intimacy”

Lou Turner
“Empty Tame and Ugly”

Joey Kneiser
“Where The Horses Don’t Run”