Tenn Toes Down

If you’re curious about Nashville hip-hop, there are a number of resources across the Internet to help educate you on some of the stand out artists. This 2019 Thrillist article or this 2020 DJ Booth piece are both quality places to start, as is this WOTT Music episode and Spotify playlist curated by Lance Conzett. There’s plenty more out there but each of them comes from the perspective of an outsider looking in. The brand new Tenn Toes Down compilation takes a different tact; coming directly from inside the scene.

Curated by Nashville’s own Gee Slab and EIC of Vibe Datwon Thomas, the playlist serves as a primer for the versatility of styles coming out of the Nashville hip-hop scene. Names like Mike Floss, Daisha McBride, Tim Gent, Petty, Fu Stan, Quez Cantrell and Brian Brown are likely recognizable even if you’re only loosely paying attention but the curation makes sure to go deeper than the obvious choices by including Bizzo World, Lul Lion, Sweet Poison, Legendary Spitta and loads more.

The playlist isn’t holistic by any means. Talking to Concrete Mag, Gee Slab reports that he “started with 50 [tracks] and it was a process for trimming down based on many factors… It was one of the hardest things I ever had to do because I’m cool with so many artist. But you can’t make everybody happy, it’s impossible.”

Including every single hip-hop artist in one compilation isn’t the point. Yes, it’d be great to see Jordan XX, Trapperman Dale, Rashad the Poet, Lackhoney or Ron Obasi included here but the list of talented hip-hop artists coming from Nashville is infinite. The playlist is an introduction, a gateway to urge you to hear more. Nashville hip-hop is often overlooked in comparison to Atlanta, Houston, Memphis and other southern locations but Tenn Toes Down demands your attention. Load it up, hit play and let it ride. When you inevitably hear something that catches your ear, look them up on Spotify to discover a wealth of music that’s been waiting for you.

Lower Decks 1-3: Infinite Trek References in Infinite Combinations

Lauren and Larissa discuss the first few episodes of “Star Trek: Lower Decks” and cover the rapid fire Trek references, diversity in the voice cast, “buffer time”, and how big a nerd they think Mike McMahan might be.

P.S. This is Lauren’s last episode before her maternity leave!

Subscribe to catch all the new episodes and follow @intothewormhole.podcast on Instagram for more!

The Festival of Ghouls Rises Again

Starting today, Thursday, October 29th, the Festival of Ghouls will be broadcasting live a series of unique performances over on their official site and Twitch stream. What’s the Festival of Ghouls, you say? Well, it’s “an annual Halloween-themed convergence of emerging artistic talent and creativity exhibiting musicians, dancers, puppeteers, aerialists, sideshow performers, physical and digital artists and short film screenings.”

To put it another way, it’s a 3-day music festival featuring a whole lot of unique music performances and plenty of entertainment outside of the music sphere. How unique, you ask? How about a synth performer wearing an iMac? Or Pirate themed metal band? Or a plethora of Drag? Or these mysterious wonders are? And that’s just the tip of the iceberg.

Fable Cry has been putting together this gathering for years in person but with the safety precautions of social distancing firmly in place for 2020, it’s opened up to a digital sphere. While it’s generally agreed that streaming events don’t have the same energy, this ghoulish lineup seems to be an exception to the norm.

Get the full schedule below and go follow @festivalofghouls on Instagram for updates.



Jason and Kelly Face the Music Supervisor (Pt. 2)

The guys wrap up their fascinating interview with Jonathan Leahy, Music Supervisor on Face the Music and learn more about how the soundtrack, score, and final cut of the film came together.

Photo by Maggie Davis.

“Strange Fruit”

What inspired a white Jewish schoolteacher to write a song depicting the horror and brutality of lynching in the 1930’s? And why did vocalist Billie Holiday choose such a polarizing song as the final number for so many of her concert appearances?

We will hear a powerful speech by a Vice-Presidential Candidate, memories from the son of the songwriter, and the voice talents of Nashville singer Kyshona Armstrong as we explore the story behind the song “Strange Fruit.”

Sources:
“Strange Fruit,” David Margolick, Vanity Fair, September 1998
“Strange Fruit: The First Great Protest Song,” Dorian Lynsky, The Guardian, February 2011
“Billie Holiday”s Label Wouldn”t Touch Strange Fruit,” Kat Eschner, Smithsonian Magazine, April 2017
“Strange Fruit,” Cary O”Dell, Library of Congress
“Strange Fruit,” Julia Blackburn, Library of Congress

Audio:
“Strange Fruit” Billie Holiday, 1939
“Strange Fruit (live),” Billie Holiday, 1945
“What A Little Moonlight Can Do,” Billie Holiday, 1949
“Apples Peaches & Cherries,” Peggy Lee, 1953
“Strange Fruit,” Billie Holiday, 1956
Strange Fruit, California Newsreel, 2002
Soul Music, BBC, Nov 2013
Democracy Now, January 2017
Loose Women, August 2017
The Life Of A Song, Financial Times, Nov 2017
Angela Davis, May 2019
Kamala Harris, June 2020

Theme Music:
“Let”s Face The Music And Dance,” Ella Fitzgerald, 1958
“Let”s Face The Music And Dance,” Nelson Riddle, 1966

Our Favorite Movies: Universal Monster Movies with Alex Beene (Pt. 2)

In part one of our talk with early film aficionado Alex Beene, we covered the early history of Universal Monster Movies; the first shared universe of film. This episode, we dive further into the later history of the film franchise, some of the influential film heroes like makeup artist Jack Pierce and how being a little rough around the edges ended up establishing the most iconic images of the moving picture.

Our guest Alex Beene is an author, educator and has served as an underwriter on a number of silent and early sound film restorations for the San Francisco Silent Film Festival.

Follow Filmography Club on Instagram @filmography_club_podcast.

Music by Uncle Skeleton

221: The 2020 Halloween Spooktacular

A Halloween playlist is a bit of a tradition around We Own This Town; exhibited by Volume 96 from 2017, Volume 119 from 2018, Volume 168 from 2019 and now, Volume 221. Each set is designed to set a mood, a feeling we double-down on by minimizing talking during the set. This year we start off a bit lighthearted and descend further into darkness as we progress.

We stress this every episode but given the lack of talking here let me remind you once again, click through on the links below to hear more from these artists. These tracks are, more often than not, taken from phenomenal albums of work. Treat this episode as a bag of treats that leads you to an even more fulfilling morsel.

Check the playlist links below for more music and follow and Charlie Whitten, PETTY, Shaboi, Poly, *repeat repeat, Smart Objects, Boo Dudes, Terry the Horror Clown, sugar sk*_*lls, hellvalleyskytrees, Bad Luck Mattress, ace quaalude, Oginalli and Black Bra for updates direct from the artists.

You may enjoy the Music Only version over here if you feel so inclined.

Follow us or submit your music:
Facebook: /weownthistown
Twitter: @weownthistown
Instagram: @weownthistown

Charlie Whitten
“I’m Waiting”

Petty
“Silent Hill”

Shaboi
“Undead Headcheck”

Poly
“Black Cat”

Repeat Repeat
“Paranoid”

Smart Objects
“White Under Blacklight”

Boo Dudes
“Bats in the Belfry”

Terry The Horror Clown
“The Circus Came 2 Town”

sugar sk*_*lls
“Simple Possession”

Malco
“El Santos Obsidian”

Hellvalleyskytrees
“Skeleton”

Bad Luck Mattress
“Doom of the Damned”

Ace Quaalude
“Casketmilk”

Oginalli
“Pendulum”

Black Bra
“Wave Goodbye”

“Main Theme” by Upright T-Rex Music

The Kernal – “U Do U” (Official Video)

My introduction to The Kernal came with the release of the most recent single “U Do U,” primarily through the cover art depicting a man in purple robes and a fedora floating in space above a sea of adoring photoshopped fans. To behold such an image was more than enough to pique my interest but I had no idea what pandora’s box of intrigue was actually being opened.

Unbeknownst to me, The Kernal had previously released multiple albums dating as far back as 2011. He contains a wealth of Nashville history within his orbit that blurs the line between real person and put-on persona. His father played in the Opry and handed down a solid red Nudie style suit that The Kernal adorns when performing; a bit of flash to accompany his blend of jangly twang.

Going down the rabbit hole of Kernal mythology is an afternoon well spent; particularly for the context that it lends to the aforementioned new single. The Venn Diagram describing this music seems to have always contained a myriad of overlaps but “U Do U” is ushering in new shades of exploration. While Classic Country is the bedrock from which The Kernal was built, he’s evolving and exploring territories that sound more akin to 70s Southern Rock without the baggage of Southern Pride or anywhere near as much focus on searing guitars. “U Do U” has a swinging beat, swirling guitars and refried gospel organ resulting in something utterly familiar and entirely unique.

The accompanying official video (directed by Joshua Shoemaker) manages to provide a layered narrative to the track while still maintaining the carefree, breezy and “hey man, I’m just having a good time” vibe of the song. On one viewing you could see a silly inflated outfit paired with some nonsense footage shot around the neighborhood. On another viewing you may see an allegory about an outsider trying to fit in, or on another viewing see a story about the compassions kids have over adults.

One thing is for sure, The Kernal contains multitudes and “U Do U” is opening up another door to explore. I look forward to stepping on through.

Don’t Gussy Up Your Grits

Matt reports back on his Heart‘s experience, Michael lends some insight into getting Hawker’s Asian Street Fair To Go and both of them weigh in on the brilliant genius – not to mention delicious – offerings of Coneheads.

Bonus: Matt pontificates on the future of live music brought to you animatronics.

If you have suggestions for spots to check out, please reach out to @thisisthaplace on Twitter or Instagram.

Intro Music by Uncle Skeleton, Outro Music by Jay Leo Phillips.

Partake in the Spirit of DRKMTTR

We are, obviously, huge fans of the DIY-inspired venue DRKMTTR – not just for the artists that they support but also for their community outreach efforts like Nashville Free Store that they have spearheaded. Music venues have been hit incredibly hard during the quarantine as they can not have in-person events but DRKMTTR continues to innovate and double-down on their core values, despite not having their core connection to their audience.

As an alternative to in-person events, Live streams have become the clearest option for creating a space for musicians to play and be viewable by an audience at the safest of distances (virtually). DRKMTTR has partnered with Hayley Williams, Cold Lunch Recordings, Y.E.A.H. and Queen Ave Collective to create “a variety show to benefit local efforts for a better world” called Spirit of Drkmttr.

These two events are streamed over on the Queen Ave Collective Twitch account and take place on Oct 22nd and Oct 29th. While the first has already occurred (you can still get a chance to see it by becoming a Patreon), you still have time to tune in on Oct 29th for a stream that includes raffles, magic, drag, films, comedy and, of course, live music from beloved bands.

Impromptu Globe Trot

Kathryn Edwards takes us on an impromptu international dig through her Bandcamp faves and obsessions. It’s the fattest globe trot you’ll ever have with artists from Greece, London, Australia, Brazil and points in between.

Queen Ave Collective Spirit of DRKMTTR livestream. Be sure to tune in Oct 29th for the second edition.

Many thanks to the DRKMTTR Patreon supporters for helping to keep DRKMTTR and the Nashville Free Store a reality.

Cover Image: Es

Follow DRKMTTR
Instagram: @drkmttrcollective
Facebook: /drkmttrcollective
Official Site: drkmttrcollective.com
Nashville Free Store: @nashvillefreestore

Stuck
“Invisible Wall”

Tears For The Dying
“Lost Girls”

Futuro
“Mandamentos”

Public Eye
“The Duet”

Shopping
“Time Wasted”

Exposure
“Erase”

Alien Nose Job
“Air Raid on N.T.”

The World
“You’re Goin Down”

Bacchae
“Older I Get”

The Yeasties
“Fall & Rewind”

Es
“Kingdom Come”

Peeling
“Rattlesnake”

Diat
“Toonie”

Chain Cvlt
“Noise & Regret”

Our Favorite Movies: Universal Monster Movies with Alex Beene

In 1931, Universal Studios established cinema’s first shared universe by releasing the likes of Dracula, Frankenstein, The Mummy, The Invisible Man, The Wolf Man and Creature from the Black Lagoon. The careers of Bela Lugosi, Boris Karloff and Lon Chaney Jr. (among many others) were established during this impressively influential period spanning multiple decades.

To discuss this treasure trove of films, we’re joined by Alex Beene; an author, educator, and early film aficionado. He’s served as an underwriter on a number of silent and early sound film restorations for the San Francisco Silent Film Festival and has had a fascination with Universal Horror films since he was five-years-old.

Join us for part one of a two part discussion on the history of these films, compelling insights into their production and a surprise bid for the Perfect Film out of the set.

Follow Filmography Club on Instagram @filmography_club_podcast.

Music by Uncle Skeleton