Caitlin Rose

Caitlin Rose writes and records songs of many moods, somehow always managing to make heartbreak sound triumphant. Her albums Own Side Now and The Stand-In were beloved by critics, ending up on many Top 10 year-end lists. Her popularity soared overseas as a live performer, turning out BBC Radio sessions for Marc Riley and Bob Harris, and back in the US she could be seen with The Old 97’s in a performance on Conan O’Brien’s late night television show.

On this episode of My Fantasy Funeral, Caitlin and host Ryan Breegle discuss her love for American standards of the 20th century, when we might be treated to a new album, and the five songs she would choose for what she describes as ‘the last playlist you get to make.’

Hear Caitlin Rose Funeral Song Selections on Spotify

Follow Caitlin Rose:
Instagram: @mscaitlinrose
Twitter: @thecaitlinrose
Facebook: /caitlinrosemusic
Website: thecaitlinrose.com

Follow My Fantasy Funeral on Instagram & Twitter.

Find host Ryan Breegle on Twitter.

Music by Kindercastle.

166: Unpredictable Venn Diagrams

This episode is focused on the fundamentals of WOTT Music; serving you compelling, interesting and worthwhile new local music. It’s our bread and butter. As always, the selections within span a variety of genres to confirm that Nashville has so much more to offer than just Music Row.

Expect excellent new offerings from Tristen, Fetching Pails, Billy Bennett, Ornament, Makeup and Vanity Set and Chance Cook.

Follow us or submit your music:
Facebook: /weownthistown
Twitter: @weownthistown
Instagram: @weownthistown

Tristen – “A Case of You”

Fetching Pails – “Shearer”

Billy Bennett – “World Wide Jeb”

Ornament – “What You Need”

Makeup And Vanity Set – “No Survivors”

Chance Cook – “A Child”

“Main Theme” by Upright T-Rex Music

Cover Image: Fetching Pails.

Sake Season Finale with Byron Stithem and Kynzie Hunter

Mike and Kenneth are joined by local sake experts Byron Stithem from Proper Sake Co. and Kynzie Hunter of Green Pheasant, for a talk on koji, different sake styles, Japanese beer, and more distillery fires on Booze News.

Music by Upright T-Rex Music.
Logo by Jess Machen

Don’t miss Cassette Store Day 2019

Cassette Store Day started in 2013 over in the UK. Over time, it grew to have a presence in various other countries, including a pretty hefty celebration in the United States thanks to backing from Burger Records. Here in Nashville, local label Banana Tapes has taken the helm and created an all-day blow-out that not only celebrates the antiquated format but showcases a ton of local and regional bands.

It’s inevitable that there are those that feel confused by the re-emergence of the cassette tape as a viable physical version for a release. Vinyl LP’s carry a prestige with their analog sound and large artwork, digital is ubiquitous and convenient but tapes are often seen as the bastard stepchild. There’s plenty of arguments to go around debating the fidelity of sound on any format but the fact of the matter is, cassettes are affordable to produce, easy to tote around and provide a merch item for fans to support an artist without breaking the bank. There’s a lot to unpack in the world of cassettes but, by and large, they help empower DIY bands to actually create something and give fans a way to support them. Furthermore, they provide their own unique sound (particularly if you leave them in the sun for a bit), they require the listener to actually listen from top to bottom and there’s few other formats that can be transformed into stunning art.

Regardless of your feelings on the format, there’s no denying that Banana Tapes has been crushing it the past few years in terms of the artists they work with. Their list of recent releases contains offerings from Local Cult, HR Lexy, Lava Gulls, Peppermint Boys and a full month’s worth of experimental releases from the likes of Abstract Black or Neon Black. Their taste in local music is wide, varied and prolific; a combination we can’t help but gush over.

The Nashville Cassette Store Day 2019 festivities take place across three venues – Grimeys, The East Room and two stages at The Groove Records. Starting at 1pm on Saturday, October 12th, there will be a mind-numbing amount of great bands playing across all the various stages. There’s also an After Party at Drkmttr featuring DJ Sets from Banana Tapes themselves and a host of other folks in the DIY space.

Keep an eye on the Facebook Event and the Banana Tapes Instagram for updates. Listed below is the official schedule for the day’s events and below that, a rather convenient Spotify playlist featuring many of the bands set to take the stages. See you there.

High Bias Stage (Grimey’s)
  • 1:00 – 1:20 · Pineapple Tours
  • 1:35 – 1:55 · Lava Gulls
  • 2:10 – 2:30 · Pet Envy
  • 2:45 – 3:05 · Flesh Eater
  • 3:20 – 3:40 · Brnda (DC)
  • 3:55 – 4:15 · Calliope Musicals (TX)
  • 4:30 – 5:00 · Peppermint Boys
Hiss Stage (The East Room)
  • 1:00 – 1:15 · Secret Friends
  • 1:30 – 1:45 · Dark Realm Tones (WA)
  • 2:00 – 2:15 · Neon Black
  • 2:30 – 2:45 · Strepitus Diaboli
  • 3:00 – 3:15 · Grain Death
  • 3:30 – 3:45 · OK Housecat
  • 4:00 – 4:15 · Jayve Montgomery
  • 4:30 – 4:55 · Bobb Watt (OH)
Tab In Stage (The Groove Records, Inside)
  • 1:45 – 2:05 · Lawndry
  • 2:20 – 2:40 · Styrofoam Winos
  • 2:55 – 3:15 · Sonatore
  • 3:30 – 3:50 · Sundaes
  • 4:05 – 4:25 · Sharks’ Teeth (LA)
Tab Out Stage (The Groove Records, Outside)
  • 4:40 – 5:00 · My Wall
  • 5:15 – 5:35 · Local Cult
  • 5:50 – 6:10 · Ray Gun
  • 6:25 – 6:45 · Only
  • 7:00 – 7:20 · Kent Osborne
  • 7:35 – 8:00 · Z

Fetching Pails – “Shearer” (Official Video)

Fetching Pails is the solo endeavor of Jill Townsend. You may recall her presence in the band Nightblonde, or Murfreesboro’s Bent Fur, or lighting up the stage during a New Year’s Eve recreation of the Rocky Horror Picture Show at The End. She’s performed in numerous outings but Fetching Pails debut, Telekinesis for Beginners, is all her own. She played every instrument on the record (save a few) and produced and recorded it as well. Oh, and she did all of the artwork as well. It’s safe to say that Fetching Pails is an intensely personal undertaking.

We are happy to premiere the album’s lead track and official video for “Shearer.” The song features a cacophony of exploding drums layered with shoegaze guitar strikes, all wrapped in Townsend’s airy vocals pondering the possibilities of the future. It’s fitting that the single art for this track features a faceless character making their way through the Looking Glass; an appropriate nod to the unknown.

The video features Townsend meandering around a small town enjoying some Fall activities; ostensibly just a pleasant romp through Anywhere, USA. However, there are several nods throughout the video that suggest something otherworldly underneath the surface; a rack of Halloween masks, an empty church, a graveyard exploration, a notecard with a ghoulish message and a masked figure. Maybe this is all part of exploring the dots on the map but it’s possible that Townsend is an apparition that walks among us. Just a theory.

Telekinesis for Beginners is set for released on Nov 2nd, with a release show at the East Room on Nov 8th. The album is available for pre-order now.

Fetching Pails is a yk Records artist, a small indie label run by the same folks that run We Own This Town.

Bebe Buell is a Force of Nature

Bebe Buell is a force of nature. It’s a cliche, but it’s the best way to describe her. When she’s in the room, you absolutely know it. She is one hundred percent personality.

She is a musician. Rick Derringer and Ric Ocasek produced her first EP. She’d later go on to record under the name the Gargoyles. She’s been recording off and on for the past 40 years. She was a model discovered at 17 by Eileen ford. She was eventually a Playboy Playmate in 1974. She was known for her relationships with a number of rockstars, including Todd Rundgren. It is well known that she as one of the three inspirations for Cameron Crowe’s Penny Lane character in Almost Famous. Her daughter is actress and former model Liv Tyler, for god’s sake. Early on, she managed Tyler’s modeling career, and would eventually discover and manage model and actress Charis Michelsen. She moved to Nashville in 2012.

Bebe has lived.

More on Nashville Demystified
Official Site: nashvilledemystified.com
Instagram: @nashvilledemystified
Twitter: @NDemystified

Brought to you by Knack Factory

NoiseMatter: A Counterculture of Sound

This weekend, October 11th and 12th, there will be a gathering of musicians and experimenters creating sounds that weave their way between hypnotically transfixing and brutally assaulting your senses. The inaugural Noise Matter fest is a two-day undertaking that gathers musicians from Nashville and the surrounding Southeast to celebrate in the creation of non-mainstream music, focusing on the avant-garde, the improvised and noise varieties.

Curator Steven Cosand was kind enough to share some insights into the impetus behind the festival and how experimental music of this nature fits into the current scene. The lineup of the festival is below and you can preview most of the acts on the festivals Instagram, @noisematter.

Friday, October 11th · Drkmttr

Proud Father (New Orleans, LA)
Proud Father is an all tape recording project from the ruins of New Orleans, Louisiana, featuring noise bursts, tape collages, shoegaze-esque distortion/reverb, and analogue synthesizers.

Nonconnah (Memphis, TN)

Pas Moi (Memphis, TN)

Grain Death (Nashville, TN)

Cøurtney (Nashville, TN)

Saturday, October 12th · Springwater

Clang Quartet (Stokesdale, NC)
Clang Quartet is the brainchild of Scotty Irving. Irving has been wreaking spirit filled havoc under the moniker since 1997. With the use of various instruments and pedals constructed as masks and other props, he describes his performances as “…an abstract journey of my walk in life without Jesus Christ, his death and resurrection, and then my life WITH Jesus as Lord and Savior.”

GMO Sharia Law (Cleveland, TN)

Cryptic Rising (Murfreesboro, TN)

Quaker Folk (Nashville, TN)

Victimes de Regime (Tullahoma, TN)

WOTT: What is your relationship with the Nashville music scene?

Cosand: I played in a few hardcore bands in Nashville a number of years ago before turning my focus on more experimental music. When I first moved to town I was floored by both the diversity and quality in the local scene. There are so many solid bands and artists playing music that is outside the realm of more mainstream genres. Pujol, Mother Adam, and Vacant Future are still some of my favorites.

After moving to Tennessee I had the opportunity to see so many bands that I didn’t get the chance to see before and in such intimate settings as well. Venues like Cafe Coco, The End, and The Owl Farm hosted some of the best shows I’ve seen since I got into both the heavier and weirder side of music at a young age. I could hardly handle myself at record stores like The Groove and McKay’s. I used to live in walking distance from the Groove. It was so dangerous because of how easy it was to spend hours in that shop flipping through bins and bins of used records.

WOTT: What are your thoughts on the Noise Scene in Nashville?

Cosand: Right now there is such a variety of noise and experimental music going on in the Southeast, and Nashville in particular. Circuit Benders Ball happened recently at Little Harpeth. It showcased some some incredible local acts. Working in Retail, Strepitus Diaboli, and Neon Black were three of my favorites. With the music industry playing such a prominent role in the city, I feel like there is this sort of natural countercultural reaction towards mainstream music. It’s definitely grown over the past few years and I hope to see more and more folks experimenting in their creative endeavors. Keep it weird. Keep it noisy. Don’t stop.

Kristin Luna

In this episode, Kim Baldwin sits down with Kristin Luna, journalist/photographer/blogger/digital marketer/entrepreneur and mural enthusiast. A professional journalist who uses her storytelling skills to help travel brands figure out the best way to market their products, Kristin’s writing appears in Travel + Leisure, Conde Nast Traveler, Parade and AAA Living, though she more regularly works with city and state tourism boards on their content efforts through her company, Odinn Media, and 12-year-old blog Camels & Chocolate. Kristin has visited all 50 states and over 120 countries.

Join us for a conversation about the long road to becoming a travel writer, how many sources it takes to verify a Trivial Pursuit answer, and how Kristin helped Kim learn how to fly.

Find Kristin on Facebook, Twitter, Instagram, and at Camels & Chocolate. To follow along on her mural journey, or to support public art in Tennessee, visit DMA Events.

To get full show notes and learn more about Ladyland, visit us at ladyland.show and follow us on Instagram at @ladyland_podcast.

Music by You Drive.
Logo by Elizabeth Williams.

165: History’s Confirmation

For as long as Nashville has been known for its Country Music, there’s been another side to the city thriving with all sorts of musical styles and genres. This week, we take a look back at a few of them. This show tends to focus on upcoming releases and recent discoveries but generally fails to look way back and appreciate all the variety that came before.

So, we make an honest effort to fix that a little bit this week! Herein are six songs going as far back as the late 60’s to as recent as 1997. It’s not an overly researched or belabored history lesson, it’s just music you probably missed if you didn’t go looking for it.

Lots of great contextual information, research and bands to investigate came from this Nashville Scene article , Nashville80sRock.net and Versus magazine. Oh, and this 1996 Features performance will be sure to take you back in time.

Follow us or submit your music:
Facebook: /weownthistown
Twitter: @weownthistown
Instagram: @weownthistown

Feminine Complex – “Hide and Seek”

Jason and The Scorchers – “Both Sides of the Line”

Walk The West – “Living at Night”

Actuals – “Today”

Trauma Team – “Rub Her Right”

The Features – “Armani Suede”

“Main Theme” by Upright T-Rex Music

Cover Image: Trauma Team.

Introducing Filmography Club

Today we are happy to announce the launch of a brand new show entitled Filmography Club. Each season will take on the task of tackling a director’s full filmography to learn more about the art and craft of filmmaking. The first season looks to the work of auteur Paul Thomas Anderson, the revered director known for Boogie Nights, Magnolia, The Master and, most recently, The Phantom Thread.

Your host for this journey is Jason Caviness, a film enthusiast and cinephile in training. He’ll be joined by guests each episode to help provide insight into answering the elusive question “What makes a film good?” For the debut, he and director Will Fox start at the beginning of PTA’s career and the first full-length film he released, Hard Eight (or Sydney if you’re the type that prefers original titles).

The show is available wherever you like to stream podcasts. Give the first episode a listen in the player above or subscribe on Apple, Spotify, Sticher, etc.

Follow the show on Instgram at @filmography_club_podcast for episode updates and other ephemera about the show.

Paul Thomas Anderson: Hard Eight

Join passionate movie fan Jason Caviness as he invites a cast of like-minded co-conspirators to explore the filmographies of his favorite filmmakers. Each season will tackle the filmography of a respected auteur, and each episode will take a probing look into one particular movie from their body of work. What makes a movie work? Does this movie work? How does the film fit into the creator’s overall body of work? Jason and company will get into all of it and more this season on Filmography Club!

In the inaugural season, the work of filmmaker Paul Thomas Anderson will be examined in detail. Join him, along with a cast of insightful cinephiles, to discuss everything from Hard Eight to Phantom Thread.

For episode one, they start at the beginning with PTA’s debut film Hard Eight (aka Sydney). Jason is joined by longtime friend and critical film appreciator Will Fox.

Music by Uncle Skeleton

12 Milkmen Is Theoretically Possible

The guys discuss the exciting career of Don Zimmerman, the recently announced editor of Face the Music. Later, the discuss “Freaked” the 1993 hidden gem that reunited Alex Winter, William Sadler, and another dude you might recognize if not for the dog costume.