Meet the Stories Behind the Standards of the Great American Songbook…

We are overjoyed to announce the release of a brand new We Own This Town podcast series entitled Let’s Face the Music; a look at the stories behind the standards of the Great American Songbook. Brought to you by Ryan Breegle, the creator of previous WOTT series My Fantasy Funeral and Vidalotry, the episodes will serve as historical documents about influential songs and reflections on how these stories impact us today.

The first episode is available on your favorite streaming platform now and concerns itself with the topic of “Strange Fruit“, the 1930’s dirge popularized by Billie Holiday that tackled the abhorrent practice of lynchings. What inspired a white Jewish schoolteacher to write a song depicting such horror and brutality? And why did Holiday choose such a polarizing song as the final number for so many of her concert appearances?

These stories are fascinating tales by themselves but they give great insight into the world we live in today. Less than a hundred years ago, bars and restaurants were segregated, US citizens were killed for the color of their skin and politicians did little to prevent it. Those are harsh lessons from a time gone by but many of those same issues continue to plague our nation (and the world). The stories of the Great American Songbook are not just stories of musical creation but a guidebook to help us better ourselves. In the words of Ryan Breegle, “Are you ready? Let’s Face the Music.”

Subscribe on Apple Podcasts, Spotify, Google Podcasts, Overcast, Stitcher, TuneIn or wherever you like to stream a show.

Now You Know Voter Protections

This episode we talk with a number of democratic party leaders across the state about incidents they have experienced in regards to voter intimidation and about the Voter Protections allowed around polling locations.

If you see something, say something. Call the Voter Protection Hotline, 1-855-4VOTETN (1-855-486-8386).


These conversations are taken from our Facebook Live events that broadcast every Thursday at 4pm CT. Watch us live at facebook.com/tndem.

Hosted by Mary Mancini
Produced by Emily Cupples and TNDP

222: The Delivery of Satisfaction

This episode is being released on Monday, Nov 2nd. That means tomorrow, Tuesday, November 3rd is ELECTION DAY. That means that if you haven’t voted yet, you *gotta* get out there and vote. We can not stress this enough. Vote Please.

This week we’re playing a bit of catch up. We had our Halloween special last week and that means there’s a bit of a backlog to push through because the releases are coming hot and heavy. We couldn’t fit in HALF of the tracks we wanted to play and we *still* have 13 tracks queued up for you.

Check the playlist links below for more music and follow Joe Zempel, Vera Bloom, Mount Olympic, The Watchman & thaPoet, Daisha McBride, Ron Obasi, Tape Space, Z. Swann, tmj, Brian Elliot, Miki Fiki, Rainsticks and Kyle Hamlett Uno & Rodrigo for updates direct from the artists.

Follow us or submit your music:
Facebook: /weownthistown
Twitter: @weownthistown
Instagram: @weownthistown

Joe Zempel
“All Will Be Calm”

Vera-Bloom
“Breathe”

Mount Olympic
“Surf City Landlocked”

Tha Watchman And Tha Poet
“Notes From Native Sons”

Daisha McBride
“Black Queen”

Ron Obasi
“Eastside Marauders (with Brian Brown & Chuck Indigo)”

Tape Space
“Choice”

Z Swann
“L.A.”

Tmj
“Waves”

Brian Elliot
“Blue Jean Girl”

Miki Fiki
“Be With Me”

Rainsticks
“Shiny Moons”

Kyle Hamlett Uno And Rodrigo
“The Ax”

“Main Theme” by Upright T-Rex Music. Cover image: The Watchman & thaPoet

The Man, The Myth, The Legend, My First, My Last, My Everything: Maury Povich

Our quarantine setup continues with Jamie polling the masses for their horny responses to various prompts and getting Ashley’s raw reactions to the results. This episode we look at Daytime Talk Show Hosts; Oprah, Donahue, Sally Jessy Raphael, Ricki Lake and their ilk are covered in great detail. Oh, and Maury, always Maury.

This episode of Hott Minute is culled from a previous Twitch Livestream. As such, it is more visually oriented than usual and highly recommended that you follow along with the gallery below.

Artwork by Elizabeth Williams
BG Music by Upright T-Rex Music

Enjoy a Ghoulish Tale from Mike Wolf

Mike Wolf, co-host of Liquid Gold, master of the garden cocktail and author of the books Garden to Glass: Grow Your Drinks from the Ground Up and Lost Spring: How We Cocktailed Through Crisis shares a companion to Lost Spring, a spooky folk tale from the Great Smoky Mountains for your Halloween weekend.

Words by Mike Wolf, Art by Jess Machen.

Who Cooks For You,
Who Cooks For Y’all?

We backed out of the driveway slowly, in the old, auburn Ford Taurus station wagon my parents had been driving me to camp in every summer for the last four years. They were bickering over how much gas was in the tank and who had driven it last, when my dad turned over his right shoulder, bringing his hairy arm over the passenger seat, his left hand slowly winding the wheel as he suddenly hit the brakes –

“Shitsticks!” he gasped as my mom white-knuckled the dashboard in front of her and a familiar black Trans Am went speeding down our street.

“Jesus, not again,” said my mom as her breath returned.

“That kid drives like a bat outta hell! I couldn’t even hear his engine with you screaming in my ear about the goddamn gas gauge,” said Dad, still not even out of the driveway.

“I’ll talk to his mom, you know we haven’t been over there since Memorial Day when all those brats on the grill flamed up and nearly singed off your beard,” said Mom, her innate ability to conjure up an embarrassing moment for Dad to suit any situation still intact.

The three-and-a-half-hour drive to Camp Kokomo deep in the wild, southwestern corner of the Smoky Mountains always seemed to take twice as long. I leafed through my new used copy of “Native Plants of the Smoky Mountains” until my stomach turned sour and every slight change in the road made me feel more carsick. I gently cracked the window to let some air through my hair and allowed my eyes to wander through the verdant hills surrounding both sides of the road, as we barreled our way through the outskirts of Knoxville.

“You ok back there, sweetie?” said Mom, who, when I was much younger, used to have to bend her way to the backseat to hand me the extra Big Gulp cup every time I thought I was about to lose my lunch on a long car ride.

“Yeah, I think so,” I said, unsure if I was getting too old to play up a sickness or not.

It’s not like I’d get to miss any school or anything. I was headed to Camp, where if you weren’t feeling well, you either had to stay away from the other kids or stay the night in the medical tent, where the cots seemed to have missing joints, like sleeping on a clothesline.

As I pondered over my parents from the backseat, Dad’s hair in full October, colors changing and blending, slowly falling out with a bright harvest moon bald spot in the middle of his head, thankfully unnoticed by many a camera. My mom’s tan, sandy blond locks, like the beaches of the Gulf after it rains, carefully calibrated by her hair stylist Amanda, who came to the house to play bridge, drink wine spritzers and smoke 100’s on the back deck. I looked at Dad’s leather watch and his hands on the wheel and thought about how I couldn’t wait to start driving. I was quite certain I’d be going 15 over what my dad was doing, who felt the need to opine on every road trip, “If we go any faster, we’re killing our gas mileage.”

I glanced back down at my book at both the picture and the illustration of daucus carota – wild carrot – and felt a twinge of both excitement and dread, as my “season of study” was to focus on the identification of native flora – which I had been fascinated with since the day I kissed Katy, literally the girl next door, in the backyard after sucking on the honeysuckle nectar from the overflowing vines billowing over the fence behind my neighbor’s carport. “The Great Smoky Mountains,” as the book denoted (I always called them ‘the smokies’) had always been an education in terms of wildlife, and I was looking forward to not being on the constant lookout for bears, who had become boring to me at 13 years old. I was entranced not by the sudden force of wild animals who lurked in silences across the great foggy ridges, but by the magic held within the cell walls of the many exotic and unknown plants of these majestic mountains.

I also loved to cook, mostly garlic mac n’ cheese – “have one dish,” Mom always said – and the head councilor had promised me I could assist in the canteen that year, probably my last, as an assistant to the cooks who labored over green beans, squash casserole, lima beans with bacon, and when we were lucky, fried chicken. This meant I needed to cozy up to the one person I was terrified of every summer at camp: Suzy Salinger, or as we called her, Suzy the Slayer. Suzy was the head cook at camp. She had become so tired of kids making fun of her lazy eye over the years, that it was rumored she had poisoned a few children by adding cyanide to their sweet tea. I was never able to confirm this with anyone, though some of the older custodians at camp would just shake their heads and mutter, “Suzy crazy boy, don’t you go messin’ with that woman.”

Suzy had grown up with four brothers in the shadow of Black Mountain in the southwest corner of Kentucky coal mine country, the only daughter to her mom – a descendent of the Cherokee who had been in the area for centuries – and her dad who worked the coal mines and taught her how to play fiddle by a campfire. She had long black hair with a few white streaks, like lightning hung on a dark sky or the bright veins of white running across a skunk’s back. Her tall, slender frame slid across the kitchen without a sound, before traipsing down the mess hall line to see what was getting low, then through the dining area to glare at the campers who either complained about the food or – as they often did but almost never followed through on – quietly threatened a food fight by shooting mischievous glares around the room and faking sudden, ill-conceived throwing motions.

“Are these the beans from last week?” someone would call out anonymously while Suzy’s back was turned. She seemed to have eyes in those white streaks in the back of her hair.

“Last year maybe!” yelled another kid from the next table over.

“Who cooks for you?” she’d whip around and say, like a serpent looking for her prey. “Who cooks for y’all?” she’d say, motioning around the room. That was her trademark, the soliloquy that eventually became her rallying cry. Word was, she used to say it all the time under her breath before she just couldn’t keep it in any longer, and started hissing the words to any camper who dared to criticize her food or complain about the lack of variation in the menu.

Since I was one of the older kids that year, my room was a double, and I shared it with none other than TG, Tommy George Swanson, a troublemaker I’d known since we were 6, who loved to play with fire, could outrun the kids in high school when he shot fireworks at their cars, and almost broke his neck trying to flip off a dirt hill on his bike when we were 10 years old. To say he had a propensity for danger and risk would be putting it mildly.

“Do you realize how many black cat fireworks fit into one of those huge orange pylons behind the dumpster?” he once said to me at the foot of a large elm tree. “It’s basically a small bomb. It’s like baseball game fireworks.”

TG got the bright idea one night, after everyone else had gone to bed and the only sound coming through the screen in our window was a coyote about a mile away near Blackstone Lake, that we needed to sneak into the cafeteria kitchen and steal some ice cream. To escape possible detection, we followed a group of shadows from our bunkhouse to the mess hall, avoiding the slanted pockets of light that angled across the camp courtyard like a picture frame hanging askew. I used my key to get us through the side entrance, up the ramp and down the hallway to the cafeteria. Out the wide but rectangularly narrow windows by the exit doors I saw a flash of light, then seconds later, I heard the first metallic drops of rain begin to fall on a tin roof across the courtyard. Then I felt a sudden rush of cold run from the tips of the hair on my arm shooting straight through to my bones. It reminded me of the time I died in a dream. Then I felt the touch of long, slender fingers with sharp nails grasping my neck – not choking, more handling it like a Styrofoam cup of coffee – and I immediately froze and slowly turned my head. TG was walking ahead of me softly and didn’t hear a thing, so he kept on.

“Wha the?” I murmured, surprised to have a breath. The hand around my neck fell and grazed my shoulder.

“Give me that key you little mouse!” said Suzy, towering over me, her black hair shading her face. “Scurrying around in here in the dark, looking for… What are y’all lookin for anyway?”

TG froze like a turkey in the rain. “Iiiii… ice cream,” he blurted out with a quiver in his voice.

“Ice cream, huh? You don’t sneak into my kitchen late at night… or ever come to think of it.” She walked slowly over to TG and extended her index finger. Her nails were freshly painted black, shining like the hood of a hearse that had just been washed. She pointed at him for what seemed like days, as time hung on the wall and TG’s eyes widened. Then she put her finger under his chin and tilted his head up to look her square in the eyes.

“I’m sorry Suzy, we’ll go ahead and get outta yer hair,” was the only thing TG could think to say. He jerked his neck a little as if to move.

“Youuuuu! Don’t move,” she called out in the empty cafeteria. “You’re going to help me cook tonight. I’m starting a stew and it needs to cook for 14 hours. It’ll be ready by lunch tomorrow if we get to it, now come on.”

She looked at me with mild disgust and motioned for us to follow her into the kitchen. Her movements immediately became quick and decisive, as she flipped on the lights and tossed an apron over her neck, tying it as she glanced around the room. I knew to immediately fetch the big stock pot sitting upside down on the shelf next to the dishwasher.

“You get the carrots washed and peeled,” she said to me. “Tommy, put some latex gloves on, you’re going to help me chop the meat.” Tommy barely knew how to make a sandwich, but he loved knives, and I thought about how we hadn’t used the first aid kit yet this year. Suzy walked over to the radio resting on the windowsill and switched it on, soft and low. Her long black fingernail scraped the radio slightly as she dialed in a country station playing Hank Williams. Rain continued to fall outside the window, and I thought about my dad as I turned the cold steel knob on the sink.

It was the kind of mindless work that in turn allowed one’s mind to wander. If it had been any other night, we’d be eating ice cream right now. As Suzy plopped a cutting board down and began peeling onions, TG, as instructed, filled up a pitcher with Coca Cola from a few 2-liter bottles. Suzy sliced through the onions like a samurai, moving on to the celery as she drilled TG around the room to do only the simplest tasks.

“Go turn that middle knob on the stove on and ignite the gas with the lighter in your side pocket,” Suzy said. How she knew he had a lighter remains a mystery to me. TG cranked the knob to let out the gas and reached for his lighter. As he drew it from the cargo pocket on his right leg, he fumbled, and the lighter tumbled to the clean, hard linoleum floor with a plastic clattering. He dropped to the floor quickly and retrieved it from just under the stove and popped back up to light the burner. There must have been firework residue on his right arm from the black cats we shot off a few hours earlier, as a huge burst of flame roared out from the stovetop and set most of Tommy’s arm on fire. It brought upon the sterile, fluorescent lighting of the room a bold burst of color and I admit to being transfixed by the sight for a second before the shriek of his screams sent me into action.

“Shit! Grab the baking soda and throw some on his arm,” said Suzy as she darted over to Tommy.

We had a few clear, plastic containers – the tall thin ones that strange people keep their cereal in – that were labeled BAKING SODA, FLOUR, SUGAR and so on. Now, I knew the baking soda container was the small one with the tight-fitting lid, but in my panic I somehow managed to grab the container of flour and popped the top as I ran over to Tommy. I threw a handful of flour towards his blazing arm, fearing I had made a mistake as the white dust flew through the air, while I noticed Suzy’s eyes bulge and her nostrils flare in terror. With the fire-igniting dusting of flour, the flames on Tommy’s arm suddenly became a fireball that reached to the ceiling, as Suzy flung off her apron and quickly outstretched it as if hanging a sheet on a clothesline. She dove towards Tommy and wrapped the apron around his right side, tackling him to the floor. She began tamping out the fire while I removed my flannel shirt and attempted to do the same. Tommy, in shock though I imagined deep down he was impressed by the pyrotechnics of the event, moaned a terrifyingly raspy drone that oscillated as he rocked sideways on the floor. The fire was out, and what struck me was the fact that the room smelled very similar to the last time Suzy had made beef stew. I looked at her with eyes that said ‘I’m sorry,’ as my cheek began to twitch.

“Tommy, you ok, man?”

Suzy peeled away the apron and coat to reveal Tommy’s charred, discolored right arm. It looked like the painting of an insane person, yellow and black spots with blue and red blotches. Smoke lifted like fog coming off a lake in the early morning.

“Burning flesh really smells like beef fat,” she said, shooting me a look of exasperation and, for the first time in the three years I’d known her, uncertainty. “Go get the ice cream.” She motioned me away. Lights began to flicker on in the courtyard as Camp Kokomo stirred in the night.

* * * * * * * * *

Weeks later as I walked with Suzy through the tangled woods beyond camp searching for mushrooms to be used in a soup, I thought of Tommy and wondered if his arm was healing back home. He had been sent home the day after cooking his arm in the kitchen, diagnosed with second-degree burns, while Suzy took most of the heat for having a thirteen-year-old with a pyro problem light a gas stove at what was supposed to be lights out time. The kids at camp had built the story up and bent the facts to fit their imaginations, speculating that Suzy had orchestrated the whole thing on purpose. Instead of my own ineptitude being the reason for escalating the fire, many suspicions that Suzy was in fact a witch with magical powers began to infiltrate the nighttime stories and flashlight follies around the campfires and bed bunks. As I watched her gracefully swoop down to snip mushrooms from their earthbound cots, her hair swaying back and forth like the lazy branches of a weeping willow, I began to see her as a kind of fairy in the forest. She had a graceful way of doing things and made any mundane activity seem more interesting.

Back at camp that night, the cafeteria was typically chaotic before dinner, with spitballs flying and inexplicable screams of laughter. I began passing out baskets of bread as Suzy put the final touches on the cream of mushroom soup in the kitchen. As she emerged from the kitchen, an unwise camper sent a spitball straight at Suzy’s eye with such force that it ricocheted off her eyeball and into one of the bowls of soup on her tray. Suzy froze as her dark, tanned complexion turned blood red. She glanced down at the soup bowl with the spitball in it and watched as the wet ball of paper descended into the soup. She flung around without spilling a drop and turned back into the kitchen, as I searched the room for the culprit. The cafeteria began to fall silent as Melissa, a counselor in her first year at camp, walked around the tables with her arms folded and eyes piercing. Suzy emerged from the kitchen and began dispersing the soup as though nothing had happened, while I sulked back to the kitchen to heat up more bread. When I peeked out into the cafeteria from the circular glass window on the swinging kitchen door, I saw an otherworldly sight: Suzy’s long wooden spoon had caught fire, and she was wielding it like a weapon as she leapt onto one of the tables and motioned around the room like a conductor at the symphony.

“Who cooks for you!” she screamed at one table. “Who cooks for y’all!”

All the kids began to double over in pain and fall to the floor, shrinking in size before my very eyes and turning into mice! Other counselors began to pass out from the shock as Suzy jumped down from the table and stormed toward Melissa, who sat in a chair shaking, her red, curly hair turning white and gray as she morphed into a cat and immediately ran off. Terrified, I ran across to the other door and attempted an escape out the back. I heard an ungodly shriek, and as I turned back I noticed a plume of smoke lifting towards the high ceiling of the cafeteria. An owl emerged from the smoke with a white streak down its side, as I turned to run out the back door. Mice began to scurry everywhere, following me out the back. I heard a window break with a thundering shatter, as a stockpot clanged on the ground and the owl came flying out the window with great force, resting on one of the power lines adjacent to the courtyard. As I hid behind a sturdy, bearproof trash can, I glanced around its corner and saw the owl descending down into the courtyard plucking the mice off the ground with its large talons and flinging them across the yard. A voice back in the cafeteria let out a terrifying scream. I slowly backed away, being careful not to fall, keeping a close eye on the owl who let out its call…

“Who cooks for you, who cooks for y’all!”

Cold Brew and The Renaissance with Chris Crofton

To kickoff Season 3, Mike gets jacked on cold brew with none other than Nashville renaissance man Chris Crofton. They discuss his breakthrough 2018 album, the gift of sobriety and how a primitive form of cold brew lead to the Renaissance Era in Europe. Then they discuss the state of comedy and pairing coffee drink orders with B and C list celebrities. Kenneth checks in with a Booze Newsâ„¢ covering everything from KISS making their own rum in Sweden, another check-in with the royal family, and how marijuana grown in Napa Valley might affect the taste of wine in the region.

Finally, Matt Campbell, formerly of Robert’s Western World, reads an excerpt from Lost Spring: How We Cocktailed Through Crisis, the ebook to benefit TN Action for Hospitality.


Order Lost Spring: How We Cocktailed Through Crisis on Amazon.

Hear the companion playlist over on Spotify.

Music by Upright T-Rex Music.
Logo by Jess Machen

Bad Luck Mattress – Doom Of The Damned

The digital liner notes for Doom of the Damned cite this record as the “Original Motion Picture Soundtrack to the 1986 horror film, Doom Of The Damned.” IMDB and its ilk have no such record of any film by that title. The mid-80’s were a rather fruitful time for horror movies so a lack of records about it could mean it was a regional release, a highly independent release or simply a film lost to time. Fortunately, the album credits go on to say that the film is part of a collection of movies known as The Lost Tapes and the backstory behind them is… wild.

According to these documents, in 1942 a military plane crashed on a small undiscovered island called located somewhere between California and Hawaii. The natives helped the crew manage a journey back to the mainland but the military found their way back and setup a military base there in the early 1970s. During the decades long occupation of this outpost, residents created films for the amusement of the natives; complete with extensive original soundtracks. These scores were shipped back to the mainland for audio mastering and eventually landed in the basement of a Nashville studio. In 2018, they were discovered by Misfit Pet Music and are now being released one at a time. The first of these Lost Tapes is the aforementioned Doom of the Damned.

All that said, the music here is creepy. Whatever accompanying visuals paired with this was a dark journey. The instrumentation is largely synths and drum machines; a precursor to a synthwave moment that wouldn’t be officially recognized for another 30 years. Had this made it into the mainstream, it would have fit well alongside They Live, The Thing and just about any other Carpenter film.

If all this sounds a little too fantastic for reality, you’re letting your cynicism get the best of you. The truthfulness of the backstory is irrelevant; just let yourself embrace the tale and dive into the wild soundtrack previously lost to time.

Tenn Toes Down

If you’re curious about Nashville hip-hop, there are a number of resources across the Internet to help educate you on some of the stand out artists. This 2019 Thrillist article or this 2020 DJ Booth piece are both quality places to start, as is this WOTT Music episode and Spotify playlist curated by Lance Conzett. There’s plenty more out there but each of them comes from the perspective of an outsider looking in. The brand new Tenn Toes Down compilation takes a different tact; coming directly from inside the scene.

Curated by Nashville’s own Gee Slab and EIC of Vibe Datwon Thomas, the playlist serves as a primer for the versatility of styles coming out of the Nashville hip-hop scene. Names like Mike Floss, Daisha McBride, Tim Gent, Petty, Fu Stan, Quez Cantrell and Brian Brown are likely recognizable even if you’re only loosely paying attention but the curation makes sure to go deeper than the obvious choices by including Bizzo World, Lul Lion, Sweet Poison, Legendary Spitta and loads more.

The playlist isn’t holistic by any means. Talking to Concrete Mag, Gee Slab reports that he “started with 50 [tracks] and it was a process for trimming down based on many factors… It was one of the hardest things I ever had to do because I’m cool with so many artist. But you can’t make everybody happy, it’s impossible.”

Including every single hip-hop artist in one compilation isn’t the point. Yes, it’d be great to see Jordan XX, Trapperman Dale, Rashad the Poet, Lackhoney or Ron Obasi included here but the list of talented hip-hop artists coming from Nashville is infinite. The playlist is an introduction, a gateway to urge you to hear more. Nashville hip-hop is often overlooked in comparison to Atlanta, Houston, Memphis and other southern locations but Tenn Toes Down demands your attention. Load it up, hit play and let it ride. When you inevitably hear something that catches your ear, look them up on Spotify to discover a wealth of music that’s been waiting for you.

Lower Decks 1-3: Infinite Trek References in Infinite Combinations

Lauren and Larissa discuss the first few episodes of “Star Trek: Lower Decks” and cover the rapid fire Trek references, diversity in the voice cast, “buffer time”, and how big a nerd they think Mike McMahan might be.

P.S. This is Lauren’s last episode before her maternity leave!

Subscribe to catch all the new episodes and follow @intothewormhole.podcast on Instagram for more!

The Festival of Ghouls Rises Again

Starting today, Thursday, October 29th, the Festival of Ghouls will be broadcasting live a series of unique performances over on their official site and Twitch stream. What’s the Festival of Ghouls, you say? Well, it’s “an annual Halloween-themed convergence of emerging artistic talent and creativity exhibiting musicians, dancers, puppeteers, aerialists, sideshow performers, physical and digital artists and short film screenings.”

To put it another way, it’s a 3-day music festival featuring a whole lot of unique music performances and plenty of entertainment outside of the music sphere. How unique, you ask? How about a synth performer wearing an iMac? Or Pirate themed metal band? Or a plethora of Drag? Or these mysterious wonders are? And that’s just the tip of the iceberg.

Fable Cry has been putting together this gathering for years in person but with the safety precautions of social distancing firmly in place for 2020, it’s opened up to a digital sphere. While it’s generally agreed that streaming events don’t have the same energy, this ghoulish lineup seems to be an exception to the norm.

Get the full schedule below and go follow @festivalofghouls on Instagram for updates.



Jason and Kelly Face the Music Supervisor (Pt. 2)

The guys wrap up their fascinating interview with Jonathan Leahy, Music Supervisor on Face the Music and learn more about how the soundtrack, score, and final cut of the film came together.

Photo by Maggie Davis.

“Strange Fruit”

What inspired a white Jewish schoolteacher to write a song depicting the horror and brutality of lynching in the 1930’s? And why did vocalist Billie Holiday choose such a polarizing song as the final number for so many of her concert appearances?

We will hear a powerful speech by a Vice-Presidential Candidate, memories from the son of the songwriter, and the voice talents of Nashville singer Kyshona Armstrong as we explore the story behind the song “Strange Fruit.”

Sources:
“Strange Fruit,” David Margolick, Vanity Fair, September 1998
“Strange Fruit: The First Great Protest Song,” Dorian Lynsky, The Guardian, February 2011
“Billie Holiday”s Label Wouldn”t Touch Strange Fruit,” Kat Eschner, Smithsonian Magazine, April 2017
“Strange Fruit,” Cary O”Dell, Library of Congress
“Strange Fruit,” Julia Blackburn, Library of Congress

Audio:
“Strange Fruit” Billie Holiday, 1939
“Strange Fruit (live),” Billie Holiday, 1945
“What A Little Moonlight Can Do,” Billie Holiday, 1949
“Apples Peaches & Cherries,” Peggy Lee, 1953
“Strange Fruit,” Billie Holiday, 1956
Strange Fruit, California Newsreel, 2002
Soul Music, BBC, Nov 2013
Democracy Now, January 2017
Loose Women, August 2017
The Life Of A Song, Financial Times, Nov 2017
Angela Davis, May 2019
Kamala Harris, June 2020

Theme Music:
“Let”s Face The Music And Dance,” Ella Fitzgerald, 1958
“Let”s Face The Music And Dance,” Nelson Riddle, 1966