A Nashville Video Sessions Primer

For almost as long as Internet Video has been available (I see you RealPlayer), there have been in-studio performances filmed and broadcast. Over time, these kinds of sessions have become easier and easier to create. The cost of great looking cameras has dropped exponentially, editing software doesn’t require a ten week course to understand and, of course, YouTube has essentially removed the barrier to entry for distribution.

With that in mind, it’s still incredibly difficult to get a great sounding recordings, not to mention a performance from the band that is actually compelling to watch. We rounded up a few recent sessions that we’ve run across that are doing a great job across the board and are likely deserving of your Like and Subscribe.

There’s a delightfully surprising amount of these so expect an update on more sessions in the future.

Q Sessions

Embedded above is “The Atmos” performance from Sad Baxter and above that is a supercut of various performances from the Q Sessions. Recorded by Mike Purcell under the Monkey Riot Recordings name, these cuts all stem from Berry Hill’s County Q Studio. Since they’re a professional studio, the performances sound great (and work as a calling card for the studio).

We briefly mentioned the Anchor Thieves performance in another post but there’s performances from The By Gods, Hurts to Laugh, Bill Eberele, Tom Pappas Collection, the aforementioned Sad Baxter and some other regional acts. By the time you read this, there may even be a Hari session in place.

Found Sounds

Admittedly, there’s only one session available from Found Sounds thus far so it might be best to withhold judgement but this 20-minute piece with Commander Keen in the Cookeville Wherehouse Skateshop is a stellar first entry. It looks great, sounds great and the band delivers multiple songs worth keeping your attention. Don’t miss the Nirvana cover they pull out at the end.

Lightning 100

Ahh, Lightning 100! While the DIY / underground side of Nashville certainly seems to prefer the varietal offerings of WXNA, you gotta give it to Lightning 100 for having a deep archive of local music. From their YouTube page you’ll see hundreds of sessions captured in-studio, at venues around town or at bigger events like Bonnaroo from both local artists and national acts. It’s extremely commendable that you can see a video from repeat repeat listed right next to one from Phoenix.

The list of videos goes back some 12 years, so it’s a lot to shift through. We put together this playlist that cherry picks some of those performances from local artists. It’s not exhaustive by any means but you can punch through and see performances from Daniel Pujol, Jessi Baylin (with Courtney Jaye), The Features, Richie, All Them Witches, Andrew Combs and Erin Rae, Self, Steelism and… well, the list is long.

As mentioned, this list of in-studio series is not everything – not by a long shot. There are 615 Sessions, 615 Bus Sessions, the now defunct Balcony TV or Lake Fever Sessions and tons more that I’m not even, yet, aware of. Regardless, there’s lots to unearth and hopefully the above will serve as a decent starting point until our next installment.

Larissa Maestro

Larissa Maestro is a cellist and a co-founder of the Nashville Concerto Orchestra. The daughter of two scientists, she was raised in Ithaca, NY, in a community that strongly encouraged her mother’s Philippine heritage. She was drawn to the cello as a child, further inspired by the passionate playing of Jacqueline du Pre. Larissa is now one of Nashville’s most in-demand cellists for live performances and studio work, having played on recent albums by Margo Price, Caitlin Rose, and Jasmin Kaset.

On this episode of My Fantasy Funeral, she and host Ryan Breegle discuss the importance of Nashville having a locally sourced volunteer orchestra, the 90’s songs she loves and hates singing with My So-Called Band, and how the small, intimate moments of our lives really make us into who we are.

Hear Larissa Maestro Funeral Song Selections on Spotify

Follow My Fantasy Funeral on Instagram & Twitter.

Find host Ryan Breegle on Twitter.

Music by Kindercastle.

152: A Piece of the Hill with Tristen

This week we share our very special interview with Tristen. If you’re somehow unfamiliar, Tristen has been releasing music since 2008 with works that include Charlatans at the Garden Gate, C A V E S, Sneaker Waves and a whole host of singles in between. Her latest 7″ for “Dream within a Dream” is available now via This Man Records and is comprised entirely of lyrics by Edgar Allan Poe; an accomplishment worth an entire episode in and of itself.

As we’ve been a fan since 2008, it’s a rather lengthy piece that covers a ton of topics. The first half of our chat covers her personal history, her discography and her insights on hardships (and celebrations) of releasing music. We go from coffee shop performances in Chicago to touring in a Honda Civic, all the way to sleeping on a tour bus with Jenny Lewis and the next album.

The second half of the conversation covers tangentially related topics to music; largely the perceived burdens of balancing a creative life with motherhood and the very real burdens of politics and thinking in a community minded way; ensuring that everyone gets a piece of the hill.

We are extremely thankful to Tristen for her time, her story and her insights. Do yourself a favor and dive deep into the discography listed below.

More on Tristen:
Official Site: tristen.com
Facebook: /tristenmusic
Twitter: @tristentristen
Instagram: @tristentristen

Follow us or submit your music:
Facebook: /weownthistown
Twitter: @weownthistown
Instagram: @weownthistown

Teardrops & Lollipops

Charlatans at the Garden Gate

C A V E S

Sneaker Waves

“Dream within a Dream”

“Red Lava”

“Main Theme” by Upright T-Rex Music

Cover Image: Tristen by Megan Thompson Fitchuk.

Stereo Specter – “Obsolete Man”

Stereo Specter has been releasing a handful of singles over the past few months that should not be overlooked. The latest, “Obsolete Man“, is a great place to dive in. It’s an upbeat number decrying a relationship in which the narrator was deemed obsolete and is now triumphantly trying to prove his worth; a feeling that we’re all likely able to empathize with.

I’m told that there’s a full EP, or possibly album, on the horizon of these new songs. They’re all culled from a new outlook on the general Stereo Specter sound embracing a bit more pop sensibilities. The pounding drums and swirling keyboards are a nice indication of where things are headed for the band and I’m looking forward to more.

Catch the band at The 5 Spot on July 10th (2019) as they try their hand at winning a spot at this years Pilgrimage Fest and check them out on the streaming services if you’d like to keep up with new releases.

Shots! Shotgunning a beer

Mike and Kenneth spend the Fourth of July holiday talking about pool beers, lawn-mowing beers, camping beers and the ultimate crushing-beer technique, Shotgunning a beer. Kenneth takes one for the team and takes down a beer for the studio audience.

Music by Upright T-Rex Music.
Logo by Jess Machen

Worthy of Having a Crappy Cereal

The guys celebrate the first day of filming Face the Music by covering recent casting news. Then they talk with Becky Delius, a first-time viewer of the films, to discuss her thoughts on the films, how nostalgia bonds us to childhood entertainment, and how great Keanu is.

Honkytonk Badonkadonk and Carolyn Kendrick

We talk with Jack Evan Johnson and Cybelle Elena of Honkytonk Badonkadonk. Jack and Elena launched the monthly zine a year ago this week. They discuss their background as musicians and artists and explain why Nashville may not be over after all.

Honkytonk Badonkadonk’s birthday / anniversary party Donkfest is on Saturday, July 6th at The Cobra.

Carolyn Kendrick, who appeared in our first episode brand new to the city, updates us on what she’s learned in her first three months were and I remind her how she missed that time Rodney Crowell, Vince Gill and Emmylou Harris played a popup show at Honky Tonk Tuesday at the American Legion.

You can see her perform her new song Tear Things Apart here.

And find her online at the links below…

Honkytonk Badonkadonk
Donk Fest
@honkytonkbadonkadonk_zine
@jackevanjohnson
@cybelle_elena

Carolyn Kendrick
carolynkendrick.com
@carekendrick

Nashville Demystified is brought to you by Knack Factory – a commercial video and content production company with offices here in the city and We Own This Town. Knack Factory is a commercial video and content production firm in Nashville. We Own This Town is a collective of podcasters based in Nashville.

More on Nashville Demystified
Official Site: nashvilledemystified.com
Instagram: @nashvilledemystified
Twitter: @NDemystified

Brought to you by Knack Factory

Punk Rock Geriatrics

Thirty years after Chagall’s “Othello and Desdemona” was stolen from a Manhattan apartment, the FBI found it locked inside a makeshift wooden box labeled “Miscellaneous High School Artwork.” Was it the building’s maintenance man who stole the work for Bulgarian mobsters? We discuss the details of this 1988 burglary on this week’s episode.

Episode artwork by Adam Nicholson.

Follow Thick as Thieves on Instagram.

Music by Patrick Damphier.
Show artwork by Saskia Keultjes.

Hear Trevor Mikula on My Fantasy Funeral

Every episode of My Fantasy Funeral comes complete with a playlist of songs hand picked by the guest to accompany their journey into the great beyond (whatever that may be).

The latest episode features an insightful interview and selections from Trevor Mikula, local artist and Provincetown, MA superfan. Give his episode a listen, visit his official site to enjoy his creations and then dive into the playlist of his song choices.

151: We Own This Ouroboros

Many thanks to Kent Osborne for coming in for last week’s interview episode. If you haven’t heard it yet, go hear it now!

This week, we dive into a slew of new releases and accidentally find ourselves immersed in various keyboards of all kinds courtesy of Find a Hobby, Scale Model, Wildfront, Baby Breath and Oral Sax. Thankfully there’s some guitar pop and art rock thrown in there for good measure from our friends in Chrome Pony, Iven and Moto Bandit.

Follow us or submit your music:
Facebook: /weownthistown
Twitter: @weownthistown
Instagram: @weownthistown

Find A Hobby – “Dreamin About”

Chrome Pony – “Taking My Time”

Moto Bandit – “KEANU: WEAPONIZED”

Iven – “I Have a Job”

Scale Model – “Expectations”

Wildfront – “Space Beside You”

Baby Breath – “CELLS”

Oral Sax – “Bugs Eating Bugs”

“Main Theme” by Upright T-Rex Music

Cover Image: Scale Model.

Chrome Pony – “Taking My Time” (Official Video)

Chrome Pony released Past Lives back in 2016 and spent the past three years playing out, writing a bunch of new songs and working through recording false starts. Fortunately, they found themselves at Battle Tapes and were able to put down an entire record, set for release sometime in 2019. The first fruit of that labor can be heard in “Taking My Time“, the searing new single.

The accompanying video places the band in a competitive The Voice style competition that, hilariously, transitions into some sort of sunken place when one of the judges realizes the potency of the song. It’s a clever commentary on the state of rock music with just the right dash of absurdist fun. Basically, it’s exactly the kind of rambunctious fun you want from a rock song.

The band informs me that there are two more singles set for release in the coming months spawned from the Battle Tapes recording sessions and if “Taking My Time” is any indiciation, they’re going to provide a quality soundtrack to the summer.

Soft Robot – “Happiness” (Official Video)

There’s something undeniably chaotic about the new Soft Robot video for “Happiness” (taken from Nothingness in Vogue). Three paper masked characters perform choreography along with the song lyrics while glitched out effects, datamoshing and general visual cacophony plays out over the course of nearly 4 minutes. Oddly enough, it’s a captivating experience, not an unsettling one.

Reading along with the lyrics gives the madness of the video some additional, heart heavy, context. One stanza reads:

Coming over when I cook
Broke my heart then
The wine took
All of my hope
Down the death slope
I’m desperate enough

With the lyrical context in mind, the madness of the visuals feels entirely appropriate as a reflection of the madness one feels in an emotional spiral.

There’s plenty to more to say about Nothingness in Vogue that we’ll save for a full review but “Happiness” serves as an excellent introduction to the many layers ready to be peeled back.