Appreciating David Berman, Ascending Menthol Mountains

I’ve long been a fan of Berman’s music and prose, but I think Menthol Mountains (his blog) is my favorite of all of his outputs. It speaks to me as a person who considers himself thoughtful and big hearted and is profoundly confused by what it is to be a person In These Times. By way of the various texts shared, there are nods to the absurdity, the economic realities and complexities, the existential dread, and the hilarity of this moment.

And so this is our ode to David Berman and Menthol Mountains. I did something similar around this time last year, though that episode was specific to Nashville focused mentions in the blog. This go, I wanted to paint a broader picture of Mountains, what it contains, why it resonates so deeply with me, and why I feel like I owe it – and Berman – a debt. To do so, I reached out to friends and fellow Berman appreciators to help bring the blog to life.

Caitlin Rose
Tyler Mahan Coe
Erin Rae
Jes Skolnik
Sean Nelson
Sarah Marshall
Jack Evan Johnson
Bess Winter
Luke Kennard
Thomas Bryan Eaton
Carolyn Kendrick

And we are fortunate to be joined by the Nashville based painter, and Berman’s friend, Kevin Guthrie.

I should also say that I appreciate Nicole Atkins for helping to honor Berman himself with this week’s illustration.


David Berman died of suicide on August 7, 2019. If you, or anyone you know, is suffering from depression and grappling with suicidal thoughts, please reach out to the National Suicide Prevention Hotline. If anyone you know is struggling with the hardships of being an artist, please donate to MusiCares; an organization focused on providing relief for “music people struggling with financial, medical or personal crises.”


More on Nashville Demystified
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Twitter: @NDemystified

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“Other David Bermans”, read by Carolyn Kendrick, was posted to Menthol Mountains by David Cloud Berman on May 29, 2019

The Job Application by Robert Walser read by Sean Nelson, was posted by DCB on January 22, 2019

Man and Camel by Mark Strand, read by Bess Winter, was posted without a title by DCB on August 23, 2012

Excerpt from Human, All-Too-Human by Fredrick Nietsche, read by Kevin Guthrie, was posted by DCB on June 9, 2011

The untitled parable about a rich man from Koznitz, read by Erin Rae, was posted without a title by DCB on June 18, 2013

Shel Silverstein’s Someone Ate the Baby, read by Luke Kennard, was posted by DCB on October 30, 2011

The Same Jew, read by Jes Skolnik, was posted without attribution by DCB on February 10, 2011

Excerpts from Mark Twain’s essay Concerning the Interview, read by Tyler Mahan Coe, was posted by DCB, January 24th, 2011

Excerpts from Fifteen Theses on the Cute by Frances Richard, read by Sarah Marshall, was posted by DCB on June 13, 2012

Excerpt of Golems Among Us by Byron Sherwin, read by Kevin Guthrie, was posted by DCB on October 22, 2013

Excerpts from Ian Frazier’s essay Count on Crows, read by Caitlin Rose, was posted by DCB on October 19, 2011

Basil Bunting’s Advice to Young Poets, read by Carolyn Kendrick, was posted by DCB February 22, 2011

ATTILA JÓZSEF’s Grief, read by Luke Kennard, was posted by DCB on June 30, 2019

Excerpt from Art and the Artist by Otto Rank, read by Jack Evan Johnson, posted with the title The Artist’s Fight With Art by DCB on June 24, 2019

Forest and Fruit Trees Talmudic Fable, read by Bess Winter, was posted by DCB with the title The Forest Trees and the Fruit Trees on November 26, 2012

Thomas Bernhard Quotes, read by Tyler Mahan Coe, Posted by DCB, July 26th, 2019

Successful lawyer parable from the Pirkei Avos Treasury, read by Jes Skolnik, posted by DCB with the title The Uncomfortable Train on January 29, 2011

Excerpt from Becoming Object by Masha Tupitsyn, read by Jack Evan Johnson, posted by DCB on June 16, 2013

Excerpts from Manufacturing Generation Me by Ned Resnikoff, read by Sarah Marshall, was posted by DCB on June 24, 2012 with the extraordinarily Bermanesque title: “1. Liquidate Society 2. Denigrate Community 3. Promulgate Rapacity 4. Castigate Your Progeny”

The Home Stretch

With less than a month to go until Face the Music, the guys break down plot details and revelations from the most recent trailer. Later they discuss the San Diego Comic-Con Bill and Ted Panel. (Spoiler Alert: on a scale of “heinous” to “most triumphant” they found Kevin Smith to be more bogus than excellent.)

Defy Film Festival Goes Virtual

2020 marks the fifth year of the Defy Film Festival, a gathering of independent film creators focused on genre-breaking selections that was named “Best Indie Film Festival” by the Nashville Scene. While there may not be a lot of competition in that particular department, it is particularly noteworthy that the 501c non-profit has been able to grow substantially year over year, making a real name for itself outside the shadow of the Nashville Film Festival.

As with everything in 2020, this year will be a different approach for Defy. As they are mindful of social distancing, the festival will be entirely virtual this year. Taking place on Saturday, September 12th, you can go ahead and register now to receive a welcome kit, instructions on how best to watch and the chance to win attendance at a safe Live Q&A the Friday before.

While it’s certainly a bit of a bummer that the festival can’t happen in person, it’s the right choice to make. Fortunately, taking things online hasn’t seemed to slow the curators down one bit. The team, consisting of Billy Sense, Dycee Wildman, Sarah Saturday and Meredith Krygowski, are no strangers to finding the best films around as proven by previous iterations of the festival. Currently, there are over 40 films officially accepted for screening during the 2020 event and it’s fairly safe to assume more will be added before the final launch.

Based on the success of numerous online streaming events (see Nashville Scene’s No-Contact Shows) and other festivals that have pivoted online (see Far Out Fest), it’d be a wise idea go ahead and add an event to your calendar for Saturday, September 12th. Treat yourself, you won’t want to miss this one.

A Fatal Attraction in Berlin

On this week’s episode, we delve into a recent crime that left the international art world in shock. In the bustling art mecca of Berlin, Rebeccah Blum, a distinguished American curator was found stabbed to death by her boyfriend, Saul Fletcher, a renowned British photographer. Shortly after the murder, the 53-year-old artist committed suicide. Now, the art world has a critical choice to make in how it remembers her legacy and reconsiders his artwork. Listen as we discuss the complicated circumstance of this double death.

Follow Thick as Thieves on Instagram.

Music by Patrick Damphier.
Show artwork by Saskia Keultjes.

209: A Slow Burner

This week on the show we’ve got ourselves a bit of a slow burner. Many of these tracks start off a bit subdued and grow over time, so you’re going to want to exercise a little patience in your listening.Your could smack that +30 skip ahead button but I don’t recommend it. Sometimes the only way to get the full impact of a song’s emergence requires that you take the whole journey.

Be sure to follow Bantug, Moto Bandit, Quez Cantrell, Yours Truly, Jai, Wildfront, Vibeout., Okey Dokey, hellvalleyskytrees and The Prudish Few as their contributions made this episode possible.

Follow us or submit your music:
Facebook: /weownthistown
Twitter: @weownthistown
Instagram: @weownthistown

Bantug
“Don’t Know What’s Real”

Moto Bandit
“Curbside”

Quez Cantrell
“The Black Today”

Yours Truly, Jai
“Time”

Wildfront
“Backseat”

Vibeout
“Cocoa Butter”

Okey Dokey
“The Right Fit”

Hellvalleyskytrees
“undelete”

The Prudish Few
“Kinder Climes”

“Main Theme” by Upright T-Rex Music

Cover image: Quez Cantrell.

Jordan XX – “Highs and Lows” (Official Video)

There’s an absolute music video renaissance happening in Nashville and it’s largely entirely hip-hop videos. We’ll talk more about that later but, for now, make yourself keenly aware of the new Jordan XX video for “Highs and Lows,” directed by Seck.

Taken from Surfing: Highs and Lows, this title track is emblematic of Jordan XX’s sound and lyrical content. His verses are often instrospective and reflective of poor choices set against a melancholy backdrop of impressively simple and nuanced beats.

That said, a video featuring a puppet traversing a breakup and dealing with the malaise that follows is an absolute brilliant dichotomy of vibes. You can’t help but be gleefully entertained but that delight is weighted by the hardships of the felt protagonist. It’s an emotional rollercoaster that works on every level.

Our recommendation: watch it thrice.

The Lowdown on Lower Decks

CBS’s new Star Trek animated series Lower Decks is premiering August 6th, so naturally the ladies decided to look back at TNG’s season 7 episode by the same name before reviewing the newly released trailer! This brings the conversation to the earlier episode “The First Duty” and the continuation of Ensign Sito Jaxa as well as other fun topics including Worf’s nurturing side and what is up with all the Jane Austen hair in Starfleet, y’all??? Star Trek’s newest show leads to musings on casting diversity amongst voice actors and the overall direction of this adult animated comedy led by Mike McMahan, whose credits include Rick & Morty and South Park.

Subscribe to catch all the new episodes and follow @intothewormhole.podcast on Instagram for more!

Helly – “Let’s B Friendz”

Helen Gilley is involved in a number of projects, most notably in the band Butthole and as a director for the likes of Lilly Hiatt, Jasmin Kaset and Quichenight (to name just a few). Recently “Let’s B Friendz” was released, the debut offering from Gilley under the pseudonym Helly.

Like much of Gilley’s work, it’s a delicately balanced delivery of fun and well executed. The song itself is a smooth jam driven by an infectious keyboard, augmented perfectly by Helly’s antics while out walking the dog. It’s not a piece that requires deep music criticism, it’s just a damn treat.

No word on what to expect from the Helly project but whatever it is, it’s safe to assume it’ll be a joy.

Heaven Honey – “Tomorrow I’ll Try” (Official Video)

Back in May, Heaven Honey released the single “Tomorrow I’ll Try“, ostensibly as the flip side to her prior single “Total Abandon.” Both released via Cold Lunch Recordings and To-Go Records, they are distinctly separate releases but feel like two sides of the same coin.

Where “Total Abandon” is hard-hitting, “Tomorrow I’ll Try” is subdued, slow burning and introspective. The official video, directed by Jake Huber and just released in July, depicts a forelorn Gomes-Kuehner crooning at a pool hall, karaoke style. Physically, there are other people present but the sensation of loneliness is palpable.

As the song swells and our protaganist is even more isolated, we’re left with an optimistic tone of empowerment. As the song closes, Jordan Gomes-Kuehner sings:

I’ll keep playing the cards that I’m dealt
I may never get back to the way I once felt
‘cause every day seems darker than the last one I spent
but tomorrow I’ll try again

A sombre tone if ever there was one but, ultimately, one that is willing to push through the difficulties. While the track is presumably about a relationship, it’s easy to apply this sentiment to our current global climate; playing the cards you’re dealt and continuously trying again. Excellent advice.

The Nashville Flame and other 1980s Fever Dreams [Rebroadcast]

This is a rebroadcast of an episode that originally aired on August 29th, 2019. While Alex recovers a lost audio file, please enjoy this wild, wild episode (again or for the first time).


In 1982, the Nashville Flame volunteered to have himself lowered into a dangerous, long-decommissioned mine to recover the bodies of two murder victims.

Eight years earlier, he experienced something even stranger than a couple of frozen corpses at the bottom of a 250 foot deep hole in the ground.

Also, we take you down a fever dreamy rabbit hole of 1980s Nashville.

More on Nashville Demystified
Official Site: nashvilledemystified.com
Instagram: @nashvilledemystified
Twitter: @NDemystified

Brought to you by Knack Factory

A Face Like a Panini: A Hott Minute Bag of Hotties Deep Dive

Back in March, Hott Minute recorded a deep dive into the various Bags of Hotties at their disposal (Regular Bag, Sitcom Bag, Halloween Bag and more). The impact of the coronavirus had not been fully revealed. This is that episode.

Looming pandemic aside, Jamie and Ashley hit their stride discussing their adoration for Charlize Theron, Rhea Perlman, Nelson Mandella and Brett Michael’s Rock of Love. The varietal nature of the Bag of Hotties keeps them on their toes with insights on Kelsey Grammar, Edward Cullen, Hellraiser and the potential wetness of E.T.

For full show notes and gallery, visit their official site.

Theme song by Mike Shepherd

Hear some of Mike’s other music here…
Tower Defense
The Prudish Few

Artwork by Elizabeth Williams
BG Music by Upright T-Rex Music

Support Cold Lunch Recordings

Cold Lunch Recordings is many things; it’s a record label, a show promoter, festival organizer and non-profit relief refund. They’ve put out releases from Sad Baxter, Heaven Honey, TTotals, Fever Blush, Hari, Bleary, Nosediver and loads more in just the past few years. Those releases are fueled by undertakings such as Spewfest, Brown Bag Fest, Halloweird, Under the Sun Fest, Bob Fest and countless individual shows that the hard working trio books and exhaustively promotes.

In short, it’s a well-oiled machine that leverages income from live events to put out new music into the world; all while keeping a mindful eye on donating proceeds back into the community through their Heartstrings organization. Unfortunately, that machine comes to a grinding halt when you remove live events from the equation; a situation that the Cold Lunch Crew has found themselves facing because of COVID-19 precautions.

In order to keep their operation going, they’ve sold off some of their equipment and reduced their debts as much as possible. Unfortunately, those efforts have proven to be insufficient to actually have enough funds to continue actively putting music out into the world. With that in mind, they’ve turned to the community and started a GoFundMe campaign to help them restart their operations in this new era.

At publishing time, they’ve already raised $3,600 of their $7,500 goal. This means that they’ll survive to see the light of day next year but need to raise a minimum of $5,000 to actually start releasing new music. If they hit the top tier goal of $7,500, they’ll be able to release new music and press a sampler of their favorite local and regional bands.

It’s clear that many operations are hurting right now. Independent venues are struggling to find lifelines, restaurants and bars are in a similar boat and thousands of musicians are out of pocket for any sort of touring income. The Cold Lunch Crew is mindful of this and only asks that you donate if you can afford to, there’s no guilt being applied here.

Cold Lunch has always been a WOTT favorite and done an impeccable job of stretching themselves as thin as possible to support the local scene. There’s no doubt that they’ve got a backlog of amazing music ready to deliver to the world if they can reach their goals. Hopefully they can get there with our support.