241: The Promise of Surprise

Many thanks to Michael Hix for taking the time to talk to us last episode about the Nashville Ambient Ensemble and all of its collective members. Aside from the pleasantly educational experience of that interview, it also created a backlog of new music to share. So, this episode is Part 1 of 2 showcasing a deep well of new music making the rounds in the local scene.

We don’t generally chunk out this show into genre “blocks” but, hey, we’re switching it up this time! Expect six rock & indie tracks at the top, six rap & hip-hop tracks at the back and a soulful R&B bridge in between.


Per usual, there’s more music from every artist on this show to be enjoyed so be sure to follow Imaginary Baseball League, Bleached Out, Trash Man, *repeat repeat, Wilby, Full Mood, Fresh Lady, SirMarko, Cee Ohh, K.O.N., Hard Liquor Shawty, RashadThaPoet and iNTRO directly for updates on their latest projects.

Follow us or submit your music:
Facebook: /weownthistown
Twitter: @weownthistown
Instagram: @weownthistown

Imaginary Baseball League
“Elliston”

Bleached Out
“Tofu Beach”

Trash Man
“Stronger Than I Thought”

Repeat Repeat
“For Leaving You”

Wilby
“Mush”

Full Mood
“2 U”

Fresh Lady
“Shoot for the Moon”

SirMarko
“Bankroll”

Cee Ohh
“Thats Just Life”

KON (feat. Jyou)
“Been It feat Jyou”

Hard Liquor Shawty
“Mega Man”

Rashad Tha Poet
“Get Paid”

iNTRO
“Perspective”

“Main Theme” by Upright T-Rex Music. Cover Image: Hard Liquor Shawty.

The Mysterious Allure of Focaccia

After a quick mourning of Rotier’s, Matt and Michael discuss a slew of topics including Saint Stephen‘s curse busting anniversary, 5th and Broadway’s historic debut with Slim & Husky’s being the first Black owned business downtown, the hidden deliciousness of St Vito Focacciaria tucked inside Van Dyke, the shockingly memorable hummus of Epice, a quizzical dining experience at Shotgun Willie’s and even a Guy Fieri anecdote.

Musical selections include The Feature and Peel Dream Magazine. Anti-recommendations include the NSC Theme song.


If you have suggestions for spots to check out, please reach out to @thisisthaplace on Twitter or Instagram.

Intro Music by Uncle Skeleton, Outro Music by Jay Leo Phillips.

Shots! Guinness and the Perfect Pour with Brandon Bramhall

To celebrate St. Patrick’s Day, a great excuse to drink Guinness throughout the day, Mike calls up bartending legend Brandon Bramhall of Attaboy and Lakeside Lounge. Lakeside’s Guinness pour is one of the best in town, and Brandon shares some of the secrets to the silky deliciousness.

Then Mike enlists the improvisational talents of Brandon’s bartending style at Attaboy for a game of “cocktail jazz,” where Brandon shares a few springtime cocktails that will have you feeling refreshed and revived. Also: we have the scoop on Brandon’s new project in Charleston, South Carolina, set to open later this summer. Liquid Gold reminds you to not pinch anyone this St. Patrick’s Day, or any other day for that matter.


Order Lost Spring: How We Cocktailed Through Crisis on Amazon.

Hear the companion playlist over on Spotify.

Music by Upright T-Rex Music.
Logo by Jess Machen

240: Finding Sacred Spaces with Michael Hix and Nashville Ambient Ensemble

This episode, we are joined by composer/musician Michael Hix to discuss the Nashville Ambient Ensemble. What’s the Nashville Ambient Ensemble? Well, quite simply, it’s a group of seven musicians from a range of diverse styles brought together to record an album entitled Cerulean – due out on Centripetal Force records on Friday, March 19th. You can order it from Grimeys or on Bandcamp. We recommend you do so at your earliest convenience.

We discuss Hix personal music history, how the Ensemble came together and run through a playlist of individual tracks from each contributing member. Furthermore, we discuss the importance of how music can provide a Sacred Space… secularly speaking, a mental realm where you turn off the world and just focus on the music at hand.

The Nashville Ambient Ensemble is not just an onslaught of modular synths being performed by the various members to create a New Age soundtrack. If you’re a purist, it may not even be “ambient” at all. What it is, is an album that showcases the magic of Nashville collaboration through a wide range of instrumentation and styles that coalesces seamlessly.

Many thanks to Hix for taking the time to speak with us.


As always, there’s more music from every artist on this show to be enjoyed so be sure to follow Nashville Ambient Ensemble, Diatom Deli, Belly Full of Stars, Jack Silverman, Luke Schneider, Timon Kaple, Cynthia Cárdenas and Michael Hix directly for updates on their latest projects.

Follow us or submit your music:
Facebook: /weownthistown
Twitter: @weownthistown
Instagram: @weownthistown

Nashville Ambient Ensemble
“Coda”

Diatom Deli
“Sonrisa”

Belly Full Of Stars
“Pattern 3”

Jack Silverman
“Mixed Signals”

Luke Schneider
“Somnificus”

Daniel Ellsworth And The Great Lakes
“Follow Me Home”

Michael Hix
“Vico”

UUO
“The Frog Moonwalks Into the Pond, Read a Book”

“Main Theme” by Upright T-Rex Music. Cover Image: Nashville Ambient Ensemble.

Trash Man – “Stronger Than I Thought”

Alex Mojaverian is likely best known as the drummer for Sad Baxter, where he is often seen powering through big swelling moments of catharsis and providing backing vocals to Deezy Violet’s perfect growls. However, he’s also been slowly crafting a project of his own called Trash Man. The latest single, “Stronger Than I Thought,” builds on the groundwork laid by the previous two tracks with a hefty Venn diagram between the optimistic and the melancholy.

It’s tough to say too much about an artist that has released three total tracks but even with such limited offerings, there’s clearly a vision at work here. The prior singles, “Please Don’t Murder Me” and “Never Be Good Enough“, are short but they waste no time in paying homage to classic Weezer-esque harmonies and laying out introspective lyrics about self-doubt. “Stronger Than I Thought” continues down that same lyrical path with feelings of putting up a strong front, even when you’re not feeling it. A sentiment 2020 likely taught all of us.

It’s hard to pinpoint but there’s a fog of depression that runs through these songs. Even the name “Trash Man” seems to be a self-inflicted wound; a remark on low self-esteem and setting expectations low. However, in each track we’ve heard so far, there’s a clearing of that fog. A warmth that burns it away and envelopes you in an optimism. That’s an esoteric summary if ever there was one but Trash Man is expressing an honesty and a triumph of will that oozes out in these songs. I empathize and look forward to more.

Getting in on the ground floor with Seck

I can’t recall specifically the moment I became aware of Seck, the writer/director from Nashville. It might have been his Yours Truly, Jai video for “Time” or possibly a teaser for the Jordan XX track “Highs N’ Lows.” Maybe it was for the $avvy video for “Bag/Purse.” Mostly likely it wasn’t a distinct moment but a rising tide of recognition. Over the last nine months I have not only became aware of the work of Seck, I’ve become enamored with it. The reasoning for this adoration is simple; the work he’s producing is increasingly impressive. It’s also worth noting that the baseline from which it started – the first video on his Youtube is for Ron Obasi’s “Perfect Timing – was already great.

I’m not the first to acknowledge the work being done here. RNGLDR called him 2020 Music Video Director of the Year. So did The Nashville Scene. Rightfully so. Looking at his body of work, he’s consistently able to craft an engaging and immersive piece with even the simplest conceit. Ron Obasi’s “Dreamer SZN” is a single camera fisheye shot from the ceiling but it’s impossible to look away. Chuck Indigo’s “Bad to the Bone” is primarily focused on a blood covered performance that is equal parts thrilling and entrancing.

That’s not to say that Seck is averse to a more complex undertaking. The aforementioned “Highs N’ Lows” video features a custom puppet experiencing honest melancholy while being legitimately amusing. “Bag/Purse” is a highly choreographed performance inside a thrift store that mixes classic hip-hop video styles while undercutting them by the location. Brian Brown’s “Flava” is a walk through Nashville filled with expertise editing and cinematography you wouldn’t be shocked to see in a Terrence Malick film.

Clearly the musicians involved with all of this work are owed some credit as well; a director with a bad performer isn’t going to get much traction but Seck is choosing great people to work with that allow his creativity to unfurl.

All things considered, Seck’s career is just getting started and there’s no better time to get in on the ground floor and start paying attention than right now. Given the quality of the existing pieces, he’s primed for bigger and better things. Look back at the early work of Michel Gondry or Spike Jonze or Paris Barclay and there’s a consistent throughline with each director creating big things with simple ideas.

Follow @seck2x on Instagram, subscribe to his YouTube channel and browse the videos below. There’s not a single one that won’t captivate your attention.


Seck Directed This

Ron Obasi
“Good Rapz”

Ron Obasi
“Last Suppa”

Jordan XX
“Illuh”

Jordan XX
“Jorja”

Jordan XX
“Roses”

Jordan XX
“Garden”

Jordan XX
“Woods”

Jordan XX
“Highs n Lows”

Chuck Indigo
“Bad to the Bone”

Boski
“Forget About This”

Ron Obasi
“NOAS Freestyle”

Ron Obasi
“Dreamer SZN”

Ron Obasi
“Perfect Timing”

Chuck Indigo
“Ugly”

TytheGirl
“Notice Me”

Savvy
“BagPurse”

Brian Brown
“Flava”

24
“Lose My Mind”

Jxdece
“Soul on Fire”

Yours Truly Jai
“Time”

Ron Obasi
“Mo Luxury”

Ron Obasi, Jordan XX, Demo
“No Idea”

VSNR
“Better Days”

Jordan XX
“Mr Solo Himself”

Our Very Own Year of Hell

TIME’S UP. Well, just on season one that is! Join the ladies as they celebrate a whole year of Into The Wormhole With Larissa & Lauren AND that darn ole pandemic by hearing them discuss Voyager’s episode “Year of Hell” with guest star Kurtwood Smith. Considered one of the better instalments of the series, Lauren admits that it’s not one of her favorite episodes and explains why. Larissa loves seeing the ship all messed up and BATTLE JANEWAY. A big THANK YOU to all our listeners for all your support during our first year!


Subscribe to catch all the new episodes and follow @intothewormhole.podcast on Instagram for more!

BeHoward – “Morning Coffee” (Official Video)

Back in October, BeHoward dropped a single for “Morning Coffee” featuring They Need Weez. The official video for the track recently hit YouTube and it’s an excellent reminder of the message to the song. As Howard notes on Instagram:

In an era when rapping about shooting, killing, and disrespecting the dead are ingredients to make you a successful artist. People have forgotten to celebrate LIFE. It actually “feels so good to wake up today”. Because somebody didn’t wake up.

As one would expect, the video features plenty of actual coffee but it’s primarily centered around family life and embracing the enjoyment of actually being alive. The coda to the video takes a dark turn, featuring Howard being carjacked at a playground before waking up from the all-too-real nightmare. It’s legitimately hard to watch guns being loaded in a video so filled with optimism but that’s exactly the point being made; we are all fortunate and many have experienced such enormous tragedies.

Give the video a viewing, go follow @BeHoward615 on Instagram and remember to delight in being alive.

239: Variety in Every Set

This episode we put together as eclectic of a playlist as we’ve ever had the pleasure of putting together. Sometimes we pair songs together by genre but not this episode, this episode you’re gonna get some quality variety in every set.

As always, there’s more music from every artist on this show to be enjoyed so be sure to follow Klypi, Tape Deck Mountain, 24, Burm, Notelle, Gunther Doug, Becca Mancari, Catalina, J. Merritt, V to Z, Bryant Taylorr, Joy Oladokun, My Wall and thirdface directly for updates on their latest projects.

Follow us or submit your music:
Facebook: /weownthistown
Twitter: @weownthistown
Instagram: @weownthistown

Klypi
“Not for You”

Tape Deck Mountain
“Screen Savior”

24
“Can’t Stop”

Burm (feat Ron Obasi, Chuck Indigo)
“Lordy Lordy”

Notelle
“Doctor Sign”

Gunther Doug
“Already There”

Becca Mancari
“Annie”

Catalina
“Multifacética”

J Merritt
“Umbrella”

V to Z
“Bernadette’s Robot”

Bryant Taylorr
“Brakes”

Joy Oladokun
“Jordan”

My Wall
“The Event”

Thirdface
“Chosen”

“Main Theme” by Upright T-Rex Music. Cover Image: Klypi.

Klypi – “Not For You” (Official Video) [Premiere]

EPILEPSY WARNING: segments of flashing lights

Not For You” is, at its core, a triumphant declaration of independence. It’s also the latest single and brand new video from Klypi, a conceptual pop artist that previously performed as Lambda Celsius, or Λ°. After a stint in Athens, Klypi is returning to the Nashville area with a new full-length album entitled Consensual Hits (due out Friday, March 19th on Pop Nihil) and a whole new bag of tricks.

The song is a masterful execution of embracing dualities. It’s pop but it’s industrial. It’s chaotic but it’s catchy. It’s a love song but it’s not about someone else. The video captures this sensibility perfectly by layering multiple instances of Klypi over top of one another, often with fast flashing edits and a color palette that is both bubblegum and Classic Goth simultaneously.

There is much more to be said about the artistic endeavors of Klypi that can’t be wrapped up with a single video premiere. The artist is exploring expression from all angles; music, fashion and their general online presence. This doesn’t detract from the message of the song but, rather, begs for further inspection. Yes, it’s a wildly fun video and song that should instantly hit your Current Rotation playlist but it’s also part of a larger world building undertaking with Klypi as our protaganist.

That may sound obtuse but keep an eye on Klypi over on Instagram and check out their set at the Circuit Bender’s Ball on March 12/13 to get a glimpse at a performance artist that is fully invested. It’s a helluva thing to be a part of.

Nashville Selections for #BandcampFriday, March 2021

Whenever Bandcamp holds their monthly Bandcamp Friday event (waiving all their platforms fees so 100% of proceeds go to the artists), we compile a list of notable releases from the Nashville area that would be worth spending your money on. This list isn’t exhaustive by any means but it’s a place to start.

If you aren’t quite clear on what Bandcamp is or why you should care, check out our primer. If you’re not interested in reading and just want to dive into some music, I recommend clicking around on the #Nashville tag to see everything available (that’s tagged appropriately).

We’ll be tweeting our selections as well, so go follow that thread for a little glimpse on why you might care about each release. Every day is a great day to support musicians but Bandcamp Friday makes it just that more special because of the added benefit it provides.