279: Let’s Save The Groove

Support the GoFundMe campaign to save The Groove Records in East Nashville.

Today on the show we’ve got a really special interview for you – Jesse Cartwright and Michael Combs of The Groove Records; the wonderful vinyl record shop over on Calvin Ave on in East Nashville. If you’re a regular listener, you’ve heard me talk about this a number of times now but they’re in a particularly troublesome situation in which the building they operate out of may go up for sale if they are unable to purchase it. This is the same story we’ve heard with the Exit/In and the hotel investors that bought their property, Fran’s Eastside just recently underwent the same ordeal and the Mercy Lounge complex is also meeting the same fate. Change is inevitable but it doesn’t have to be at the expense of what makes the city great.

Jesse and Michael talk to me about the situation they are, how people can help and how they got into operating The Groove in the first place.

These two are thoughtful business owners that are putting community first and understand the need for a safe, friendly, welcoming place for finding whatever music moves you. The Groove is a helluva establishment and I hope we can all come together to help keep a unique piece of Nashville.

Follow The Groove on Instagram @thegrooverecords to keep up with all the fundraising efforts, ticket giveaways and music promotions.


Follow us or submit your music:
Facebook: /weownthistown
Twitter: @weownthistown
Instagram: @weownthistown

“Main Theme” by Upright T-Rex Music.

278: Indulgences While You Indulge

This week on the show we’re sharing a handful of releases that we’d be remiss to NOT share before the holiday break. Hopefully you get some time off during Thanksgiving and during that time you get to spend some time with some podcasts. Tune in for some great entertainment to indulge in while you indulge…

Also, a note to help save The Groove Records. Follow @thegrooverecords on Instagram and, if you can, donate to their GoFundMe campaign.


Be sure to click through on the links below and be sure to follow Daisha McBride, Mike Floss, Da Real A1yo, Palm Ghosts, Trevor Nikrant, Cookie Jar, Vera Bloom, Hans Condor, Tom Violence, *repeat repeat, Sonatore, Connor Kelly & The Time Warp, Cody Cody Cody, Sterfry and Cosmic Collective for more updates!

Follow us or submit your music:
Facebook: /weownthistown
Twitter: @weownthistown
Instagram: @weownthistown

“Main Theme” by Upright T-Rex Music.

Daisha McBride
“Ties”

Mike Floss
“Wipe Me Down”

Da Real A1yo
“God Got Me”

Palm Ghosts
“Bloodlight”

Trevor Nikrant
“We Need You For Our Plan”

Cookie Jar
“Six Of One Half Dozen Of Another”

Vera Bloom
“Mud”

Hans Condor
“All Messed Up on Death Metal and Shit”

Tom Violence
“Reaper”

*repeat repeat
“Song for a Nice Drive”

Sonatore
“Walk Alone”

Connor Kelly and The Time Warp
“Distant Forest”

Cody Cody Cody
“Devil Be Up”

Sterfry
“Check It”

Cosmic Collective
“Otherside”

Amy Stewart: The Drunken Botanist

To celebrate the two-year anniversary of Mike’s book “Garden to Glass: Grow Your Drinks From the Ground Up,” he sits down with one of his influences over the years, best-selling author Amy Stewart. Mike talks to Amy about her groundbreaking book “The Drunken Botanist,” as well as her many other books and projects, including her successful turn as a mystery novelist. Amy discusses her process for writing and making art and how the two forms can be similar yet completely different.

Also discussed: drinking tequila at Google, talking to tree collectors, planting a “poison garden,” and bringing to life the story of three sisters who solved crimes in the northeast nearly 100 years ago.

Music by Upright T-Rex Music.
Logo by Jess Machen

Steven Hale on Nashville’s Record Number of Overdoses

Today we’ll talk with Steven Hale, the great and prolific Nashville Scene journalist. Steven tells us about his reporting regarding the proliferation of fentanyl poisoning and its impact on record rates of drug overdoses in the city.

His piece in the Nashville Scene — “The Other Epidemic: Fentanyl Is Killing People in Nashville at a Staggering Rate” — came out on November 4, 2021.

Since it came out, The New York Times has reported on the trend nationally, indicating that a record number of Americans — 100,000 died from April 2020 to April 2021 – and a substantial reason for that has been the proliferation of drugs cut with fentanyl.


Nashville Demystified is made possible with support by Knack Factory. It is distributed by We Own This Town.

You can find Nashville Demystified online on Twitter, Instagram, and TikTok.
Official Site: nashvilledemystified.com
Twitter: @NDemystified
Instagram: @nashvilledemystified
TikTok: https://www.tiktok.com/@alexsteed

Deluxe Breakfast Bars

Matt and Mickey share some recent experiences at two new Nashville spots that downright blow their minds – Etc. and Audrey, respectively. Plenty of additional recommendations for The Dutch, H&S Bagels, some insights on changes at The Hermitage Hotel and a quick note about Shoney’s Breakfast Bar.

Music recommendations for Vanishing Twin and a happy birthday shoutout to WNXP.


If you have suggestions for spots to check out, please reach out to @thisisthaplace on Twitter or Instagram.

Intro Music by Uncle Skeleton.

Jaffee Judah (feat Big 6) – “Solid” (Official Video)

After one listen to Jaffee Judah’s latest offering “Solid,” it’s nearly impossible not to have the verse bouncing around in your head. The combination of drums, Judah’s falsetto delivery and affirming lyrics of “everything I do is solid, wherever I go is solid” is simply undeniable.

The official video follows Judah through various performance locations; the studio, East Nashville, Jefferson Street Missionary Baptist and, most notably, Alkebu-Lan Images, Nashville’s only Black-owned bookstore. The video also depicts various profiles of friends and collaborators of Judah, all peppered with positive vibes and messages (one shirt reads “once oxygen hits the blood we’re all one color”). The Big 6 feature accents the message of the track expertly and keeps the upbeat vibes rolling through the end of the track. On paper it’s a conceptually simple video but the editing keeps things moving between black-and-white cut scenes and colorful outdoor interludes.

It’s been a minute since Judah released a track but he’s certainly not been sitting on his laurels. If you aren’t following him on Instagram, do so now. His Bang 4 Liberation project (featured quickly in the video) aims to address gun violence through art and community organizing and that’s just one of his undertakings. Be wise and stay tuned in.

Katy Kirby – “Juniper” (Official Video)

The official press release for Katy Kirby’s Cool Dry Place states that it came together “After a series of painful failures to complete a record that reflected the temperament of those songs.” That’s not a statement you include in your official PR if you haven’t worked tirelessly to capture your songs in their most desired form. The results of these efforts are clear when listening to the record, Kirby has crafted an infectiously catchy album of pop songs that are cut with melancholy and introspective observations from start to finish.

As luck would have it, we’ve been tuned in to some versions of these songs since 2018 and can confirm that the changes over time were positive enhancements. The official video for “Juniper,” the second track from the record, does an excellent job of paying service to the song with a simple and varied performance from Kirby. Intercut scenes between a cyc wall, a Brooklyn garden and a brimming kitchen table keep you locked in for the duration.

There’s no bad jumping off point for getting into Kirby’s work but if “Juniper” doesn’t whet your appetite for more, you should be asking yourself some serious questions about what you’re looking for out of music.

Tape Deck Mountain – “NOMO” (Official Video)

Without batting an eye, it’s easy to describe Tape Deck Mountain as firmly a shoegaze band. All of the necessary tropes are present; big wall of guitar sound with warbly accents, calm vocal delivery sitting in the middle of the mix and plenty of larger explosive moments. It may check all the boxes but Tape Deck Mountain’s latest release, True Deceiver, takes things beyond shoegaze.

“NOMO”, the second track from said record and the focus of this performance video includes moments of soaring guitar, some accents that feel like progressive versions of the best Failure or Shiner songs and lyrics that actually carry some weight. Hearing frontman and primary songwriter Travis Trevisan calmly lament “You’re all alone, on your phone” through layers and layers of sound is a powerful thing to hear; especially if you crank your speakers to their maximum.

The video itself is filled with purple hues, prism effects, static feedback and the quintessential shoegaze performance style; not overly excitable and more interested in enveloping you in sound. It serves as an excellent introduction to the band if you’ve not had the pleasure previously. “NOMO” is a standout track on the record but, frankly, True Deceiver continues this vibe through the duration and fans of the genre looking for something just a bit bigger and better would be wise to pay attention.

Westwood Avenue (feat Erin Rae) – “Bachelorette Screams”

Just `cause you could come to Nashville, doesn’t mean you should.
It was once a lovely city, now it’s not so good
I’ve searching but it’s hard to find
the love of your dreams beneath
the bachelorette screams

Finding the balance between cheeky commentary and scathing indictment is not a easy one. With their debut single “Bachelorette Screams,” duo Westwood Avenue manages to traverse that high wire act extremely successfully. The track, penned by Music City natives Carter Braillier and Erin Rae, is pretty forthcoming with its ire towards Nashville’s tourism but manages to do so with a lighthearted delivery.

The track doesn’t pull any punches when it comes to stating their opinions on the current state of affairs with Nashville’s relationship to tourism. As noted above in the lyrics, it flat out states the city is “not so good” because of the onslaught of bachelorette screams. This sentiment is enforced even further with the brilliantly simple Joshua Shoemaker video shot downtown amongst the drunken masses. The performance from the band and Erin Rae is amusing but the allure is definitely the background stumblers.

There’s always a heavy vibe when discussing “New Nashville,” a term in itself that comes laden with contention and resentment from locals. Downtown has become a version of Times Square, a tourist destination with all of the stereotypes you’d expect to see on a vacation but very little of the actual heart and soul of the city it resides in. That distinct problem is easy enough to traverse – if you live here, don’t go downtown. The bigger issue at hand is the ripple effect of housing changes, short term rental explosions and real estate investments that don’t care much for preserving history. These are big problems that are often exacerbated by local politicians that don’t do much to stand in the way of the difficult changes. When thinking about the scale of issues that stem from Downtown, it’s not outlandish to see how folks feel downtrodden about it all. Westwood Avenue is not alone in their thinking, even if the delivery is, presumably, a bit tongue-in-cheek.

It’s a debut single so it’s tough to say where this is headed. What will a larger release from Westwood Avenue sound like. Will it maintain this somewhat country bent? Will all the tracks be commentary on our city? Will the album end with an announcement that they’re leaving this godforsaken town? Who knows!? Regardless of where it ends up, it’s a compelling initial offering and certainly welcomes a larger conversation. Oh, and it’s worth a watch or two at the very least.

Resentment: A Love Story

This episode contains sensitive topics and discussions.

Nurse practitioner Alexis Paulson brings the heat – sharing her difficult birth story, body resentment, experiences as the parent of a neurodivergent preteen, EMDR, mindfulness, #GGBO, pottery & the dark thoughts that accompany the inevitable sleeplessness we all experience.

About Our Guest:
Alexis Paulson is a Nashville native, mother of Charlie (7) and Kate (3), wife to Dave (38), nurse practitioner, and most importantly: childhood friend of Joy Todd. She enjoys cooking, gardening, pottery, ASMR Instagram accounts, eating cookies, watching Succession, and The Great British Bake Off. And she will go out to lunch with you any time.


Follow Momcult on Instagram @momcultpodcast.

277: Morphing and Maturing

Another playlist of local releases that will – without a doubt – impress you. So many artists from Nashville and surrounding areas that are morphing and maturing into new and greater forms. Lovely stuff.

Also, a note to help save The Groove Records. Hit up @thegrooverecords on Instagram to find out how you can support them in their time of need.


Be sure to click through on the links below and be sure to follow Mike Floss, The Smokeshows, Aaron Sprinkle, Trevor Nikrant, Crave On, HalfNoise, Jaffee Judah, Cody Cody Cody, Georgie Zaven, Safari Room, Invitation Worldwide, Kenneth Fleischman, Mighty Joe Nolan and SONATORE for more updates!

Follow us or submit your music:
Facebook: /weownthistown
Twitter: @weownthistown
Instagram: @weownthistown

“Main Theme” by Upright T-Rex Music.

Mike Floss
“Never Ran”

The Smokeshows
“I Know”

Aaron Sprinkle
“Impossible”

Trevor Nikrant
“Panic at The Cafe”

Crave On
“Day of the Dead”

HalfNoise
“Superstition”

Cody Cody Cody
“And the Rest Was History”

Georgie Zaven
“Talk To Me Nice”

Safari Room
“Small Victories”

Kenneth Fleischman
“Fuzzbox”

Mighty Joe Nolan
“The Death of James Dean”

Sonatore
“Back Porch”

Help Save The Groove

In what is becoming an all-too-common story for Nashville businesses, The Groove Records, is facing a possible upending to their business due to the real estate owners looking to sell the property. If you aren’t familiar, The Groove is an independently owned and operated record store located at the prime location of 1103 Calvin Ave on the Eastside. It is proudly LGBTQ+ owned and serves as a safe space for anyone to come and simply enjoy whatever music floats their boat. They host a myriad of events; from Record Store Day drops, to Spooky Ghoul Fest, to Meet-and-Greets, to movies in the backyard… just to name a few. Simply put, they are more than just a retail business selling records, they actively participate in being members of the community and they do a damn good job of it.

Over on Instagram, there’s a lengthy post explaining the situation. The quickest summary is: “We [The Groove] have until Jan. 31st, 2022 to come up with the purchase price, move our store, or close permanently.” The shop has been granted “right of first refusal,” which means that they shouldn’t have the rug yanked out from under them before they’ve been able to make a proper effort at raising the necessary funds. Without buying the property, the future of the record store is unclear.

Owners Michael Combs and Jesse Cartwright have setup a GoFundMe campaign to raise a significant amount of money in an attempt to save the shop. In their project description, it’s clearly palpable that it pains them to ask for money but in a situation such as this, there is rarely any other alternative. While we have not heard from them directly on the matter (yet), we have to assume that all avenues of backing are being pursued.

If you’ve been paying attention to the trials and tribulations of the Exit/In, the situation is similar. The business owners have embedded themselves as members of the community but they do not own the building in which their business operates. For the Exit/In, this resulted in a buyout from a corporation that may not respect the history of the building. For The Groove, we have to hope for a different, business owner controlled, fate.

To sweeten the deal of saving the shop, The Groove is making a novel offer on your donation; they’ll refund 70% of it back to you should they ever sell the property or close the business. Doing some quick back of the napkin math, that means if you donated $1000 to the purchase of this property and they sold the business in 15 years, they’d give you back $700. While that’s not an investment per se, it does send the clear message that The Groove is not looking monetary gain with this campaign, they are looking to stay open and continue serving the community.

Speaking personally on the matter, The Groove has always felt like one of Nashville’s best kept secrets. They have a vast section of local releases, a used bin that never fails to produce a gem or three on every visit, a section of the store dedicated to zines and artistic alt-publications like SALT and a friendliness that is never ending. I’ve attended a number of their community events (many of which feature other smaller local vendors) and they’re always a blast. Even the other attendees feel more approachable than usual. If you aren’t familiar, there’s no better time than now to get familiar.

There are other record stores in town but The Groove is unique in an untold number of ways that make it worth saving. Whatever you’ve got to help contribute would be a boon to the store itself and the community at large.

Follow The Groove on Instagram @thegrooverecords, visit their website at thegroovenashville.com and contribute their GoFundMe over here.