The Pink Spiders sound has always dipped a toe (or a whole foot) into the waters of Pop Mall Punk but never fully turn their back on a straightforward rock song with an undercurrent of sexual energy and, dare I say, “groove” carrying it along.
“It’s funny, but it’s not a joke.”
In the tenth and final episode, Vidalotry explores Gore Vidal’s ridicule of George W. Bush and the title ‘Wartime President’ which Bush bestowed upon himself. Host Ryan Breegle looks at the accusations of voting fraud in 2000 and 2004, Gore’s fears during the Bush Presidency, and his thoughts on the politicians that followed, namely Hillary Clinton, Barack Obama, and John McCain.
With Hott Minute taking a quick break from new episodes, now would be a great time to reflect on the numerous theme songs that were submitted to the show (and maybe even consider making your own). Many many thanks to all the artists and creators for the submissions. Dive into each artists latest release! Tower […]
Dave Paulson (NORM, The Privates, My So-Called Band) wrote an album inspired by TOMMY BOY, the 1995 comedy starring Chris Farley. The best part is, its nowhere close to a trainwreck.
No More Running by Eve Maret There is something decidedly familiar and entirely otherworldly about the track “No More Running” from Eve Maret. Sonically, the single is powered by 80’s keyboard tones and beats that transform into a wash of ambient sound, enveloping the listener. The vocals are run through a vocoder like effect to […]
There’s a looseness and lightness to “What’s It to You” that makes it immediately enjoyable. The combination of choral oompa’s and screeching guitar is a surprising delight contrasted with the lounging energy of the rest of the song.
My initial assumption of Cordovas was entirely wrong. Their blend of western country and southern rock works perfectly with their lonesome vocals.
Dave Paulson – of NORM, The Privates and My So-Called Band – is set to release a concept album based around the 1995 Chris Farley vehicle, TOMMY BOY. The album, “Sandusky, Ohio”, is set for release this Friday, June 22nd.
This episode, we stray from the mixtape of new music format and sit down with Beth Cameron – best known for her work as Forget Cassettes – and discuss the hardships of being a female in the recording industry. While we certainly cover the basics of how she got into music, the recording process of her first album Instruments of Action and what she’s up to now, we also dive much deeper into how Nashville culture can do better about listening, finding empathy and how being vocal is the only road to a safer, inclusive, caring city.
Every Day is Sunday by Charlie & the Evil Mothers The debut, self-titled, album from Charlie & The Evil Mothers was released back in April (we loved it) and I’ve been anxious to learn if that meant we’d experience a dearth of new music from the outfit as they worked the album cycle. Fortunately, that’s […]
A record that manages to mash big guitars and small accents perfectly. For instance, the first track “Make Me Feel Human”, explodes with guitars but treats you with the most perfect twinkling keyboard. It’s a combination that Andrews pulls off with great aplomb throughout the duration of the record.
