The Havoc Siren by Anchor Thieves On a previous episode of the WOTT Music podcast we played a track from the new Anchor Thieves release, Havoc Siren, but the entirety of the EP is a noteworthy experience that should be indulged in full. Anchor Thieves has been releasing records at a consistent pace since 2011, […]
A meditative journey comprised of longform, looping, compositions that build upon themselves through saxophone, clarinet, bells, percussion of various varieties and repetitive vocal clips.
Gary Branigan, Caroline Bowman and Taylor Jones of COLD LUNCH RECORDINGS sit down to talk about the history of the label, how they help keeps band focused on the fun and how they manage to juggle it all.
First solo David Mead album in eight years. Is it an outlier in the world of Streaming Music? I say nay.
AstroBeing The Next Aion by doo. I’m a sucker for many many things when it comes to music but if you’re album art is a highly stylized illustration of some celestial realm and your album title is some ambiguous reference to The Next Something or Other, I am going to be immediately intrigued. With that […]
le skunk is a bit of a mystery but it’s clear that there’s a diversity in the style of songwriting that makes them worth keeping an eye on.
Discussions around Stay Golden, Liberty Common, The Ainsworth, Green Pheasant and Lyra
Nashville New Music: Ornament, John Davis + Matthew Caws, German Error Message, Anchor Thieves, Shy Guy, Travis Trevisan
Despite being only one song, there’s a lot to cover with this new release from Ornament. First and foremost, it’s the second official release from the band; available as a 7″ on the Official Memorabilia label. It hasn’t made its way to Bandcamp or Spotify yet but if you hit up DRKMTTR on January 18th, […]
Mike and Kenneth talk Moroccan Mint Tea, Honeysuckle and Chicory, and Mississippi Juke Joints with their guest Ali Besten from Cathead Distillery.
In early January, Skyway Man released a collaborative EP with Teddy & The Rough Riders entitled The Lagniappe Sessions (okay, it was really released in early December via Aquarium Drunkard but wasn’t on streaming services until 2019). The EP is four cover songs from the likes of Eliot Eidelman, The Faces, Big Kitty and an […]
Full insight into the messages contained with the record will have to wait until late February but my money is on this record being an obvious candidate for year-end lists.
