Author Archives: Michael Eades

Introducing Ladyland

Very proud to announce the addition of a new show to the We Own This Town network of podcasts; Ladyland. Host Kim Baldwin is a social media consultant and blogger. On her blog, The Blonde Mule, she’s maintained a written Q&A series with a wide range of women around Nashville (and beyond) about their jobs, […]

Eve Maret – “Pink Ray” (Official Video)

The rumors are true, Eve Maret has packed up and moved to Oakland, CA for further studies. While that would generally make any new music emanations ineligible for We Own This Town coverage, we can’t help but make an exception. As co-founder of Hyasynth House and progenitor of the most excellent No More Running, our […]

Brown Bag Hip-Hop Festival

Marathon Music Works recently hosted The Underflow, a night of performances comprised entirely of local hip-hop acts. It was, unsurprisingly, a sold out success. On Saturday, August 31st, The Cobra will host the first iteration of the Brown Bag Festival; a two-stage onslaught of local and regional hip-hop and DJ’s put together by Cold Lunch […]

Other Nothing – Not Songs

Not Songs by Other Nothing Paul Kintzing is best known for his work under the pseudonym German Error Message. His compositions under that name are sublime and a bit fragile but not without their doses of optimism. After a five year hiatus, he’s released a full album as German Error Message, a standalone single and […]

Faux Ferocious – “Price of Progress” (Official Video)

Let’s take a moment to review the good news spilling out of the world of Faux Ferocious. To begin, if you haven’t heard their 2019 release Pretty Groovy, please do so now. If you happen to live in Europe and enjoy a bit of Kraut rock infused with Southern styles, see them in September. If […]

German Error Message – “Fine”

Fine by German Error Message German Error Message, aka Paul Kintzing, already released the sublime full-length Mend in March of 2019 but is already following that up with the single “Fine.” Musically, “Fine” continues to subtle-y tweak the gently strumming, gently cradling, gently immersive sounds of previous releases; incorporating swirling keyboards, layers and layers of […]