Author Archives: Michael Eades

R. Stevie Moore Limited Edition Cassettes via Banana Tapes

The team over at Banana Tapes recently collaborated with R. Stevie Moore, Neon Black and a host of local artists to create multiple iterations of a new R. Stevie Moore album entitled The Here​.​.​.​.​.​.​.​.​.​.​.​.​.​.​.​.​.​.​.​.​.​.​.​.​. This is worthwhile because the music itself is only available on the cassette itself. There’s no digital version of the album […]

The It City – “Make It Look Easy”

Have you ever been at a wedding and the band starts to play and you immediately think about how corny they are? Then, fifteen minutes later, you find yourself indulging in the sincere performance and letting go of your indie rock baggage to just enjoy yourself?

Cave Mode Shake – Time Traveler’s Party

Openly citing The Strokes, Tame Impala and Radiohead as your influences is a quick way to earn a massive eyeroll from any potential new listener. Fortunately, Cave Mode Shack manages to not fuck it up.

Wurzfleisch

Matt and Mickey take on Burger Week with mixed results and then tackle the oft-maligned Downtown scene with surprisingly pleasant results.

Volume 113

The one with no script but tons of great music. The range of genres and styles that Nashville has been delivering lately has been excellent.

Z – “456”

Z is, as far as I can tell, the new project from Mom & Dad’s Zach Prosser. Their Instagram has only a handful of posts and a Bandcamp account has two songs posted from late in 2017. All that is to say, it feels pretty new. The Window Light Show video for “456” starts with […]

DoomFolk StarterKit – Documenting Fear, etc

Documenting Fear, etc. (Sketchbook) by DoomFolk StarterKit David Swick has undertaken a work-in-progress / work-in-public endeavor he calls DoomFolk StarterKit. The gist of the project is as such: DoomFolk StarterKit is an on going sketchbook series where I write and record a song on my iPhone in (about) one hour and then post it in […]

2: Pulp with Taylor Cole

For the People: Olivia sits down with Taylor Cole (of Tayls and Creature Comfort) to talk about Pulp’s journey from experimental rockers to Brit-pop legends.