There’s a different vibe on this Wildfront song than the previous releases – namely, the buried vocals and somewhat muddier production. I don’t fault anyone for experimenting, particularly when it reveals that you can still hear all the good ideas making their way through.

Over the weekend, Jasmin Kaset released a collection of seven b-sides pruned from various recording sessions, album leftovers and misc collaborations. Even as b-sides, there’s a real pathos and emotion to these songs.. they certainly aren’t phoned in or performed haphazardly.

The latest installment from the monthly V to Z release series is a tension filled, anticipation building explosion of drum onslaught and swirling noise. Possibly my favorite from the whole batch.

Sometimes a collection of ideas and sketches can be a refreshing listen. This “pop” album from Murfreesboro’s Jackson Pollock Microphone has plenty of rough spots and goofiness but there are some great moments of shine. If you appreciate the works of Ween, I am safe in recommending this one. If you’re not, dive into “Girl is a Flavor” and judge for yourself.

Really loving this Murfreesboro based psych outfit, Mouth Reader. Everything outside of the music is pretty damn perfect – great name, compelling artwork and a lathe-cut pop-up book vinyl. The best tracks, for me, are those that start as a slow burn and expand into a full-on encapsulating wall of sound (see “Freak” and “I Woke Up”). 

Disappointed in myself for not being aware of these guys before now but glad to not have missed the boat entirely.

Some quality hard rock coming out of this EP. Emotional vocals, big rock explosions and plenty of opportunity for fist pumping.  The submission for this collection came through the wires with a note that members of Sexx, Rales, Sainthood and Superduper comprised its ranks – more than enough of an endorsement to give it some ear time.

Asher Horton is better known for his work in Fox Fun but there’s something about this solo release that feels a bit less formal. It’s bedroom pop so it’s not overproduced but it’s still got a nice flair for the occasional flourish of sound. 

Last Friday, Benjamin A. Harper released his latest solo effort, Get Thee Behind Me. The undertaking is a lush one – filled with harmonies, a wide arrangement of styles and something a little special in each song that pops out the more you listen (i.e. that vocal stutter in “Leave This Place Alone”)

The output of Mr Harper has always been enjoyable but this really boosts him into a new level. Maybe I’m getting ahead of myself but I’d put this into Best Of 2015, it grabs me just that much.

The first preview track from Magic in Three’s full-length September album, Return of Magic in Threes.It’s the instrumental, R&B, funky, soul journey that you’ve been meaning to take for awhile.