Volume 81

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It’s 2017 so I’ve decided to try something a little different with the podcast. Instead of a half hour of new music from Nashville area, I’ve invited the members of Apollo Up! to discuss the writing and recording and their recently re-issued album, Chariots of Fire.

This is a two part series. Here in part one the band discusses the recording process and breaks down each song on Side A.

Full disclosure, my label yk records released this reissue so I am clearly biased on the interest levels regarding this album but stand by my decision to release this as a WOTT podcast, as I think everyone will find some enjoyment from it. Furthermore, I’d love to do this with more than just bands in my sphere.

Many thanks to Ryan Ervin for hosting the band and Jeremy Ferguson for lending his studio Battle Tapes to record it.

Ansonandtherest – Ansonandtherest

On the surface, there’s absolutely no reason that I should enjoy the spoken word ramblings of Ansonandtherest. The album contains no singing, it’s just musical meanderings layered under the storytelling poetry of Anson Hohne. If you described this to me, I would tell you, conceptually, it sounds abysmal. 

But it’s not. Maybe I’m just getting old and I’m open to weirder things but it’s actually soothing. The calm vocal speaking paints a tiny picture of familiar things – dealing with the rain, traveling for a lost love and lots of coffee.

If you find this pretentious and self-indulgent, I wouldn’t fault you, but I think if you listen to it meditatively, you will enjoy some part of it.

Volume 81

WOTT 81

Trying something a little different with this edition of the podcast. I invited the members of Apollo Up to sit down and discuss the writing, recording and aftermath behind their recently re-issued album, Chariots of Fire.

Full disclosure, my label yk records released the new vinyl edition of the record so I’m clearly biased in terms of interest levels around this kind of discussion. Regardless, I hope to expand this kind of talk to other bands outside of my own sphere.

This is part one of two, wherein the band discusses the recording of the album and breaks down each song on Side A. Many thanks to Ryan Ervin for hosting the band and Jeremy Ferguson for lending his studio Battle Tapes to record it.

Mom and Dad – WHICH ??

Can I admit something to you, faithful reader? I don’t have a ton of time for this site. Or, really, for keeping up with the Nashville music scene in general. I moved away to Brooklyn a few years ago but always felt beholden to the Nashville area because that’s where my roots lie and I truly believe the music emerging from the area is more diverse and interesting and captivating than just about anyone gives it credit for.

My lack of time for properly tending to this site leads to a lot of oversights. I’m not even saying that from a journalistic standpoint. I have no doubt that The Cream and all the other Nashville music blogs are covering this stuff in a timely manner. I’m saying this on a PERSONAL front. I missed out of music and I lament it.

I’ll leave all the rambling above and summarize with this – Mom and Dad are a fascinatingly weird band. The album art is a good indication of their off kilter nature but to fully appreciate it, give WHICH ?? a listen in headphones. The album is filled with joyful madness that comes through best when you’re fully immersed in it. Vocal sizzles, weird moans, time phasing, and doubled up rants should not be missed.

This is the weirdness I want to crawl out of Nashville and I hate that it took me nine months to become area. 

German Error Message “2017″

For my money, German Error Message is The Microphones of the Nashville area and he certainly does not disappoint with maintaining that moniker on his latest released song, “2017.” 

I hope there’s a full album behind this.

Support Jessi Zazu (Those Darlins)

If you haven’t read this piece in The Scene on Jessi Zazu’s Cancer Battle, stop what you’re doing and read it right now. While heartbreaking, it’s also inspiringly optimistic. She is forging ahead with writing new works, investing in new creative endeavors and sharing her strength through an experience that seems absolutely terrifying from the outside.

I don’t know Jessi personally aside from meeting her in passing a few times but reading of her journey so far is really moving. Please watch this video and consider donating to her Cancer Fighting Fund. 

Tristen “In Winter Blues”

Want to enjoy good music and DO good while doing so? Steer yourself towards the latest, rather beautiful, track from Tristen entitled “In Winter Blues.” All proceeds benefit the International Rescue Commission, an organization dedicated to providing lifesaving care to people fleeing conflict and natural disaster. Seems like the most Christmas-y thing you could go.

Volume 80

In lieu of a Best Of podcast, I wanted to commemorate the 80th volume of the podcast with a guest curator; an undertaking there will be plenty more of in the future. So, I invited Olivia Scibelli to curate the entirety of the episodes programming. Olivia is best known for her work in Fancy Tramp, Idle Bloom and Husband Stitch, not to mention her involvement in various undertakings like Tennessee Rock Camp. Her work is often explosive and visceral (some bands more than others) but manages to maintain a level of accessibility.

Her selections are a great peek inside a world of Nashville music that I, personally, was not very familiar with. From the dark growling work of Devaga Bike andChunk to the more gentle Lawndry or Soccer Mommy, there’s a bit of everything in here.

Many thanks to Olivia for putting this together and allowing We Own This Town to feature a lot of artists we’ve missed previously.

  1. Husband Stitch – Yourself, Under the Microscope
  2. Negra – Want It
  3. Devaga Bike – Horny Math
  4. Watcher – Chunk
  5. Lean – Blooming
  6. Lawndry – Naomi
  7. Sallow – Erase You
  8. Modern Convenience – Fuck Off
  9. Soccer Mommy – 3 am at a party
  10. Gnarwhal – Have Fun Tomorrow From Ozzy_Stella

Volume 80

WOTT 80

In lieu of a Best Of podcast, I wanted to commemorate the 80th volume of the podcast with a guest curator; an undertaking there will be plenty more of in the future. So, I invited Olivia Scibelli to curate the entirety of the episodes programming. Olivia is best known for her work in Fancy Tramp, Idle Bloom and Husband Stitch, not to mention her involvement in various undertakings like Tennessee Rock Camp. Her work is often explosive and visceral (some bands more than others) but manages to maintain a level of accessibility.

Her selections are a great peek inside a world of Nashville music that I, personally, was not very familiar with. From the growling Devaga Bike to the barking Chunk to the gentle Lawndry, there’s a bit of everything in here.

Many thanks to Olivia for putting this together and allowing We Own This Town to feature a lot of artists we’ve missed previously.

  1. Husband Stitch – Yourself, Under the Microscope
  2. Negra – Want It
  3. Devaga Bike – Horny Math
  4. Watcher – Chunk
  5. Lean – Blooming
  6. Lawndry – Naomi
  7. Sallow – Erase You
  8. Modern Convenience – Fuck Off
  9. Soccer Mommy – 3 am at a party
  10. Gnarwhal – Have Fun Tomorrow From Ozzy_Stella

Fidelity High

If you aren’t familiar with the WXNA show Fidelity High, please find some time to deep dive into their archive of profiles and podcasts. While there are plenty of non-Nashville creative types featured, there is a rich slew of creators from Nashville that are worth your time. Here’s a handful:

Alicia Bognanno (BULLY)
Patrick Damphier (Club Roar, Photo Ops)
Olivia Scibelli (Idle Bloom, Husband Stitch)
Louis Charette (The Groove)
Ben Blackwell (Third Man Records)