Secret Nashville
I admit I am not a regular reader of Executive Nashville but I’m rather enjoying this piece on Secret Nashville and hope they continue featuring some of the great lost gems of our city and its rich history.
I admit I am not a regular reader of Executive Nashville but I’m rather enjoying this piece on Secret Nashville and hope they continue featuring some of the great lost gems of our city and its rich history.
The purpose of the We Own This Town podcast is to create a living
historical document of Nashville music. When I slack on publishing new
editions, some music may fall through the cracks. This can not be! So,
I’m kicking myself in the ass to catch up and make sure that all of the
great releases coming out of our fine town can be properly enjoyed now
and revisited later.
Nice performance video for one of the new tracks off Ranch Ghost’s latest, Lookin.
The purpose of the We Own This Town podcast is to create a living historical document of Nashville music. When I slack on publishing new editions, some music may fall through the cracks. This can not be! So, I’m kicking myself in the ass to catch up and make sure that all of the great releases coming out of our fine town can be properly enjoyed now and revisited later.
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Preview the first track from the forthcoming Hurts to Laugh full-length, tentatively entitled Fugazi Ozzborn.Â
Preview another new song from Ranch Ghost’s forthcoming album Lookin’, out this Friday on Rough Beast Records.
I have been a bad fan. I saw that there was a new EP from Penicillin Baby and I didn’t fully indulge until recently. This is only a problem because the five songs are phenomenal – particularly the ending track “Working Man.†Consider it heavy rotation for the remainder of the year.
It’s been far too long since we’ve heard from CASA (formerly Casa Castile) but the wait was worth it. I sure hope there’s a full album behind this single because this one went into heavy rotation immediately.
Weirdo glitchy pop is always a fun gem to encounter and even better when it stems from Nashville. I suggest starting with “Oh†– that crazy beat is not to be missed.
Congratulations to Adia Victoria and her band for for their network television debut on The Late Show with Stephen Colbert. It’s a great horn-backed version of “Dead Eyes†from Beyond the Bloodhounds.Â
The seventy-fifth installment of a podcast feels like it’s worth taking note of, right? So, in tribute to the past, here’s a podcast of a bunch of musicians that you may have come up with in the Nashville scene or maybe missed entirely. This is, by no means, an exhaustive compilation of all the greatness that came from this time period but it’s a nice nostalgic peek.
75 episodes of this podcast. That seems like a lot so I’m taking a moment to reflect back on some of the artists of the days of yore. You know, early 2000’s-ish. It’s a throwback episode! Everyone loves a bit of nostaliga.
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