Listen to The Mute Group cover Forget Cassettes “Quiero, Quieres†from the album Salt.
Follow The Mute Group here, listen to them here.
Listen to The Mute Group cover Forget Cassettes “Quiero, Quieres†from the album Salt.
Follow The Mute Group here, listen to them here.
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Part Two of the Special Edition podcast is now up for your listening enjoyment. This segment of the podcast continues the chat between Apollo Up! and Ryan Ervin in discussion of their recently reissued album Chariots of Fire. In it, they talk about the songs on Side B of the record as well as the release and aftermath of the album.
Thanks again to Ryan Ervin and Jeremy Ferguson for helping make this happen.
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Here’s Part Two of the Special Edition WOTT podcast with Apollo Up discussing their recently reissued album, Chariots of Fire.
This final segment with Au covers the second half of the album as well as the release and aftermath from the album. It’s the opposite of a limp funk pastiche.
Many thanks to Ryan Ervin for hosting the band and Jeremy Ferguson for lending his studio Battle Tapes to record it.
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Fantastic new glitched out video from All Them Witches for the new song “3-5-7″ off their forthcoming album Sleeping Through the War (available on Feb 24th).
They debuted the video on VICE’s Music Blog, Noisey. Be sure to see what they had to say about it as well.
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It’s 2017 so I’ve decided to try something a little different with the podcast. Instead of a half hour of new music from Nashville area, I’ve invited the members of Apollo Up! to discuss the writing and recording and their recently re-issued album, Chariots of Fire.
This is a two part series. Here in part one the band discusses the recording process and breaks down each song on Side A.
Full disclosure, my label yk records released this reissue so I am clearly biased on the interest levels regarding this album but stand by my decision to release this as a WOTT podcast, as I think everyone will find some enjoyment from it. Furthermore, I’d love to do this with more than just bands in my sphere.
Many thanks to Ryan Ervin for hosting the band and Jeremy Ferguson for lending his studio Battle Tapes to record it.
Podcast: Download
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On the surface, there’s absolutely no reason that I should enjoy the spoken word ramblings of Ansonandtherest. The album contains no singing, it’s just musical meanderings layered under the storytelling poetry of Anson Hohne. If you described this to me, I would tell you, conceptually, it sounds abysmal.Â
But it’s not. Maybe I’m just getting old and I’m open to weirder things but it’s actually soothing. The calm vocal speaking paints a tiny picture of familiar things – dealing with the rain, traveling for a lost love and lots of coffee.
If you find this pretentious and self-indulgent, I wouldn’t fault you, but I think if you listen to it meditatively, you will enjoy some part of it.
Trying something a little different with this edition of the podcast. I invited the members of Apollo Up to sit down and discuss the writing, recording and aftermath behind their recently re-issued album, Chariots of Fire.
Full disclosure, my label yk records released the new vinyl edition of the record so I’m clearly biased in terms of interest levels around this kind of discussion. Regardless, I hope to expand this kind of talk to other bands outside of my own sphere.
This is part one of two, wherein the band discusses the recording of the album and breaks down each song on Side A. Many thanks to Ryan Ervin for hosting the band and Jeremy Ferguson for lending his studio Battle Tapes to record it.
Podcast: Download
Subscribe: RSS
Can I admit something to you, faithful reader? I don’t have a ton of time for this site. Or, really, for keeping up with the Nashville music scene in general. I moved away to Brooklyn a few years ago but always felt beholden to the Nashville area because that’s where my roots lie and I truly believe the music emerging from the area is more diverse and interesting and captivating than just about anyone gives it credit for.
My lack of time for properly tending to this site leads to a lot of oversights. I’m not even saying that from a journalistic standpoint. I have no doubt that The Cream and all the other Nashville music blogs are covering this stuff in a timely manner. I’m saying this on a PERSONAL front. I missed out of music and I lament it.
I’ll leave all the rambling above and summarize with this – Mom and Dad are a fascinatingly weird band. The album art is a good indication of their off kilter nature but to fully appreciate it, give WHICH ?? a listen in headphones. The album is filled with joyful madness that comes through best when you’re fully immersed in it. Vocal sizzles, weird moans, time phasing, and doubled up rants should not be missed.
This is the weirdness I want to crawl out of Nashville and I hate that it took me nine months to become area.Â
For my money, German Error Message is The Microphones of the Nashville area and he certainly does not disappoint with maintaining that moniker on his latest released song, “2017.â€Â
I hope there’s a full album behind this.
If you haven’t read this piece in The Scene on Jessi Zazu’s Cancer Battle, stop what you’re doing and read it right now. While heartbreaking, it’s also inspiringly optimistic. She is forging ahead with writing new works, investing in new creative endeavors and sharing her strength through an experience that seems absolutely terrifying from the outside.
I don’t know Jessi personally aside from meeting her in passing a few times but reading of her journey so far is really moving. Please watch this video and consider donating to her Cancer Fighting Fund.Â
Want to enjoy good music and DO good while doing so? Steer yourself towards the latest, rather beautiful, track from Tristen entitled “In Winter Blues.†All proceeds benefit the International Rescue Commission, an organization dedicated to providing lifesaving care to people fleeing conflict and natural disaster. Seems like the most Christmas-y thing you could go.
Another release from the slow trickle of Brooke Waggoner remixes based off her Sweven album released earlier in 2016. Foreign Fields reimagines the track into a unfolding swirl of sounds. The headphone listen is pretty immersively intense, in the best way.