Super Mario KART

While it’s not exactly music related, we’d be remiss if we didn’t mention the Super Mario Kart Art show happening at The Warren* tonight – April 7th. Lots of talented folks have contributed original pieces paying homage to game. 

*1002 Fatherland St, Suite 201 above the Shoppes on Fatherland

Quichenight - “Political Kudzu”

I never know what to expect from Brett Rosenberg’s undertaking, Quichenight. It’s got a 70′s influence with a little tongue-in-cheek humor and a, seemingly sincere, floaty chorus. Which is the real Quichenight? The melancholy choral narrator or the gruff “on the hunt” sexpot voice in the verse? The world may never know but we may find out on the forthcoming Quichenight VII.

Volume 85

Without trying too hard, this edition of the podcast ended up being a pop rock extravaganza. Listen to it as a means of heralding in the changing of the seasons.  

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  • Moruga Scorpio – Don’t Hang Up the Party Line.
  • Halfnoise – French Class
  • Okey Dokey – Sweatin Something Awful
  • The Mute Group – A E I O U
  • Bravemaker – Feel Like I’ll Fold In On Myself
  • Asher Horton – Sitars and Saffrons
  • Kristoff Walktz – truly/really

Volume 85

WOTT 85

Without trying too hard, this edition of the podcast ended up being a pop rock extravaganza. Feel good vibes throughout to prep your brain for the changing of the seasonal tides.

  • Moruga Scorpio – Don’t Hang Up the Party Line.
  • Halfnoise – French Class
  • Okey Dokey – Sweatin Something Awful
  • The Mute Group – A E I O U
  • Bravemaker – Feel Like I’ll Fold In On Myself
  • Asher Horton – Sitars and Saffrons
  • Kristoff Walktz – truly/really

Inferi – The Path of Apotheosis

Metal band Inferi formed in 2006 and has released three intense metal albums, with a fourth on the horizon for 2017. The Path of Apotheosis was released in 2014 and has everything you’d hope for with an album cover depicting a bladed angel fighting a trident-wielding demon – double bass drum as far as the eye can see, growling vocals, lighting fast guitar shreds and big, chunky, riffs. It also contains a great deal of melody, angelic interludes and tasteful solos. 

It’s a completely unearthed part of the Nashville music scene for me – well formed metal that draws influence from the earliest days of the genre while still adding its own unique contributions. 

HALFNOISE “Scooby’s in the Back”

Zac Farro is likely most well known for being the drummer of Paramore until 2010 and then rejoining again in 2017. Fortunately, that’s not all he’s known for. His solo project HALFNOISE released an album in Sept 2016 and a brand new EP entitled The Velvet Face was just released in March 2017.

You can hear the whole thing on your favorite streaming service – like Spotify or Youtube – and you should go into it with zero expectations. His connection with Paramore has no reflection on the kind of dreamy pop songs he’s putting out on his own. 

PISSCOFFIN – PISSCOFFIN

Come for the band name PISSCOFFIN, stay for the lo-fi big riff rock songs. 

Gotta love a band that tags themselves “intolerable”, “putrid” and “sickening” while still keeping some melody and catchiness gurgling under the surface.

Orchid “Wilder”

You’re forgiven if you’ve never heard of the Nashville band Orchid. They released one EP in 2014 with a somewhat 90′s / Letter To Cleo vibe and haven’t done much since.

They’ve just released a new single for a track called “Wilder” that serves as a curious peek at what may be coming next from the band. It’s much further down the shoegaze rabbit hole than their previous efforts and far more interesting for it. Let’s hope it’s not another three years until we hear from them again.

Bravemaker “Clumsy and Awkward”

Thanks to the ease of sharing online, it’s become less rare these days to get a glimpse into an artists creative output but it’s still uncommon that the quality markedly improves over time. Such is not the case with the small doses of bedroom pop released by Bravemaker over the past few months. His songwriting, production and overall craft has clearly gotten better with every release. Hopefully the upward trend will continue.

Coupler “Our Heavenly Bodies”

A few months back, Coupler performed a live score to the 1925 silent film, “Our Heavenly Bodies.” Since that time they’ve decided to take the show on the road and screen the film at different venues and perform their score alongside it. The film is a masterwork from German director Hanns Walter Kornblum, filled with entrancing special effects and the quasi-improvised electronic score from Coupler is the perfect pairing. If you have a chance, go see the performance.